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Wong Kar Wai
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Rizzoli 2016-4-19 Hardcover 9780847846177

具體描述

John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.

The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.

The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.

The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.

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##王傢衛,著名電影導演,擅長浪漫藝術電影,曾奪得7次香港電影金像奬和3次歐洲電影奬。 王傢衛的這一本書,用250多張照片和電影劇照,帶你一同迴味他的經典電影。 書中收錄鮑爾斯和王傢衛展開的六次對話,探討電影、時間、懷舊和美感等主題。每一次都在不同的地點,包括他拍攝《...  

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##不評價瞭,書裏的文字說明瞭一切。

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##1•介於小開和惡少之間 作為一個電影導演,王傢衛介於洋場小開和洋場惡少之間。說他小開,是指他的見多識廣,混跡於西方電影藝術之殿堂,喜歡在電影畫麵上揮金如土,追求精緻和完美。說他介於小開和惡少之間,是指他徘徊於華麗的欲望和高深莫測的冷漠,不知自己究竟應該放縱...  

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##1•介於小開和惡少之間 作為一個電影導演,王傢衛介於洋場小開和洋場惡少之間。說他小開,是指他的見多識廣,混跡於西方電影藝術之殿堂,喜歡在電影畫麵上揮金如土,追求精緻和完美。說他介於小開和惡少之間,是指他徘徊於華麗的欲望和高深莫測的冷漠,不知自己究竟應該放縱...  

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