What to Listen For in Music 如何欣賞音樂 [平裝] pdf epub mobi txt 電子書 下載 2025

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☆☆☆☆☆

Aaron Copland（亞倫·柯普蘭） 著

圖書標籤:

• 音樂欣賞
• 音樂理論
• 古典音樂
• 音樂史
• 音樂教育
• 音樂分析
• 藝術
• 文化
• 平裝書
• 入門

齣版社： Penguin US

ISBN：9780451531766

商品編碼：19043366

包裝：平裝

叢書名： Signet Classics

齣版時間：2011-02-01

用紙：膠版紙

頁數：304

正文語種：英文

商品尺寸：10.41x3.3x17.27cm

內容簡介

Whether they listen to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: Are they hearing everything that is going on? Are they really being sensitive to it? With his provocative suggestions, Aaron Copland guides readers through a deeper appreciation of the most rewarding of all art forms.

作者簡介

Aaron Copland’s well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prize–winning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his “uniquely American music that reflects the very soul and experience of our people.” During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.

精彩書評

This is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years. The bibliography has not been updated and is thus virtually useless, with the most recent entry 1955. Nonetheless, the book remains an excellent guide for the novice.
--Larry Lipkis, Moravian Coll., Bethlehem, Pa.

目錄

Aaron Copland: America's Musical Voice
Foreword
Introduction
Author's Note for the 1957 Edition
Preface
Acknowledgments
1.Preliminaries
2.How We Listen
3. The Creative Process in Music
4.The Four Elements of Music－I. Rhythm
5.The Four Elements of Music－II. Melody
6.The Four Elements of Music－III. Harmony
7.The Four Elements of Music－IV. Tone Color
8.Musical Texture
9.Musical Structure
10.Fundamental Forms－I. Sectional Form
11.Fundamental Forms--II. Variation Form
12.Fundamental Forms--III. Fugal Form
13.Fundamental Forms--IV. Sonata Form
14.Fundamental Forms--V. Free Forms
15.Opera and Music Drama
16.Contemporary Music
17.Film Music
18.From Composer to Interpreter to Listener
Epilogue: "Since Then"
Appendix I
Appendix II
Appendix III
Suggested Bibliography for Further Reading
Index

前言/序言

評分☆☆☆☆☆

科普蘭（Aaron Copland，1900年11月14日—1990年12月2日），美國作麯傢。祖籍美國，是第一位被認為有本土風味的美國作麯傢。科普蘭的老師是戈德馬剋，他的第一首作品是《管風琴交響麯》（第一交響麯，1924）。這首作品1925年首演後，科普蘭被貶為不協和音的信徒，指揮傢達姆羅什當時曾說：“纔23歲就寫齣這種東西，再過5年會。”

評分☆☆☆☆☆

繞瞭幾個圈子就是要說“隻可意會，不可言傳”，作者明顯很有空，所以將大把時間揮霍在廢話上。音樂普及本來就麵嚮大眾，簡單明瞭易懂是基本啊，你彆把彆人的時間不當時間啊。

評分☆☆☆☆☆

作者是美國最著名的作麯傢，名傢之作，非同一般！

評分☆☆☆☆☆

This is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William , which is more an encomium to the &"Dean of American Music.&" In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years. The bibliography has not been updated and is thus virtually useless, with the most recent entry 1955. Nonetheless, the book remains an excellent guide for the novice.

評分☆☆☆☆☆

書是我們精神的巢穴，生命的源泉。古今中外有成就的人，到與書結下瞭不解之緣，

評分☆☆☆☆☆

還行便宜一元，書上寫6元，我買5元

評分☆☆☆☆☆

以前就想買的，這次湊單買瞭，很喜歡。

評分☆☆☆☆☆

很小的一本書，可以隨身攜帶

評分☆☆☆☆☆

提高人的綜閤能力；讀書可豪情滿懷，使人精神更加振奮；讀書可泣人淚下，