Kafka on the Shore

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Haruki Murakami
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Vintage 2005-10-6 Paperback 9780099494096

具體描述

村上春樹(1949- ),日本小說傢。曾在早稻田大學文學部戲劇科就讀。1979年,他的第一部小說《聽風之歌》問世後,即被搬上瞭銀幕。隨後,他的優秀作品《1973年的彈子球》、《尋羊冒險記》、《挪威的森林》等相繼發錶。他的創作不受傳統拘束,構思新奇,行文瀟灑自在,而又不流於庸俗淺薄。尤其是在刻畫人的孤獨無奈方麵更有特色,他沒有把這種情緒寫成負的東西,而是通過內心的心智性操作使之升華為一種優雅的格調,一種樂在其中的境界,以此來為讀者,尤其是生活在城市裏的人們提供瞭一種生活模式或生命的體驗。

"A stunning work of art," the New York Observer wrote of The Wind-Up Bird Chronicle, "that bears no comparisons," and this is also true of this magnificent new novel, which is every bit as ambitious, expansive and bewitching. A tour-de-force of metaphysical reality, Kafka on the Shore is powered by two remarkable characters. At fifteen, Kafka Tamura runs away from home, either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister. And the aging Nakata, who never recovered from a wartime affliction, finds his highly simplified life suddenly upset. Their odyssey, as mysterious to us as it is to them, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle. Yet this, like everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own. --This text refers to an out of print or unavailable edition of this title.

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##20世紀上半葉,兩次世界大戰幾乎毀滅瞭人類苦心經營瞭十幾個世紀的物質財富,把蕓蕓眾生推入瞭痛苦的深淵。戰後的日本百業待興,經濟在本國的內需和美國的經濟援助下飛速發展,而從硝煙彌漫的戰場和殘垣斷壁的廢墟中走齣來的年輕一代,在被迫融入這個高速發展的資本主義社會時...  

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##When you are in the rain, you are part of the rain.

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##17歲的時候,收到過一封來自林少華先生的信。 昨天在傢整理舊信件,簡直都是看起來慘不忍睹的小女生花花綠綠強說愁。而這一封從中國海洋大學外國語學院發齣,白信封白信紙,我猛然想起也曾有過這一等事發生過。 “xx君: 你好,還記得你五月十九日給我寫的信嗎?迴信這麼晚...  

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##20世紀上半葉,兩次世界大戰幾乎毀滅瞭人類苦心經營瞭十幾個世紀的物質財富,把蕓蕓眾生推入瞭痛苦的深淵。戰後的日本百業待興,經濟在本國的內需和美國的經濟援助下飛速發展,而從硝煙彌漫的戰場和殘垣斷壁的廢墟中走齣來的年輕一代,在被迫融入這個高速發展的資本主義社會時...  

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##先照抄一段村上春樹《天黑之後》的中文評論: 村上在書中塑造的白川,可以說是日本這個民族“惡”的典型,他敬業、勤奮、文質彬彬,但生活刻闆,觀念頑固,施暴後行若無事,還繼續加班,絲毫沒有作惡的意識。著名翻譯傢林少華教授在譯後記中寫道:“這種惡,既不同於恐怖分子的...  

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