内容简介
Whether they listen to Mozart or Duke Ellington, Aaron Copland invites readers to ask two basic questions: Are they hearing everything that is going on? Are they really being sensitive to it? With his provocative suggestions, Aaron Copland guides readers through a deeper appreciation of the most rewarding of all art forms.
作者简介
Aaron Copland’s well-known and highly regarded compositions, performed and recorded extensively throughout the world, include the Pulitzer Prize–winning ballet Appalachian Spring, as well as Billy the Kid, Rodeo, Lincoln Portrait, and the film scores of Our Town and The Heiress. On being awarded a Congressional Gold Medal in 1986, Copland was praised for his “uniquely American music that reflects the very soul and experience of our people.” During his career, Copland taught composition at Harvard and the Berkshire Music Center, lectured all over the United States, and wrote Our New Music and Music and Imagination. He died in 1990.
精彩书评
This is a reprint of the enormously popular 1957 edition of Copland's guide to music. There is no new text by Copland, only a new introduction by composer William Schuman, which is more an encomium to the "Dean of American Music." In large measure, the book owes its success to its simple, jargon-free language and engaging style. One wishes, though, that Copland might have added an assessment of the musical scene of the past 30 years. The bibliography has not been updated and is thus virtually useless, with the most recent entry 1955. Nonetheless, the book remains an excellent guide for the novice.
--Larry Lipkis, Moravian Coll., Bethlehem, Pa. 目录
Aaron Copland: America's Musical Voice
Foreword
Introduction
Author's Note for the 1957 Edition
Preface
Acknowledgments
1.Preliminaries
2.How We Listen
3. The Creative Process in Music
4.The Four Elements of Music-I. Rhythm
5.The Four Elements of Music-II. Melody
6.The Four Elements of Music-III. Harmony
7.The Four Elements of Music-IV. Tone Color
8.Musical Texture
9.Musical Structure
10.Fundamental Forms-I. Sectional Form
11.Fundamental Forms--II. Variation Form
12.Fundamental Forms--III. Fugal Form
13.Fundamental Forms--IV. Sonata Form
14.Fundamental Forms--V. Free Forms
15.Opera and Music Drama
16.Contemporary Music
17.Film Music
18.From Composer to Interpreter to Listener
Epilogue: "Since Then"
Appendix I
Appendix II
Appendix III
Suggested Bibliography for Further Reading
Index
前言/序言
What to Listen For in Music 如何欣赏音乐 [平装] 下载 mobi epub pdf txt 电子书 格式
What to Listen For in Music 如何欣赏音乐 [平装] 下载 mobi pdf epub txt 电子书 格式 2024
评分
☆☆☆☆☆
书籍是传播知识的载体。书海浩瀚无边,里面蕴藏着丰富的知识,
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☆☆☆☆☆
我一九一五年生于日托米尔,在乌克兰。那时还不这么叫,当时称为"小俄罗斯"。我父亲也生在那里,虽然他是德裔。他住在那里直到服役期。他后来去维也纳学钢琴和作曲,在那里交了不少出色的朋友,一些很出名的德国作曲家,例如弗朗茨.施莱柯尔。
评分
☆☆☆☆☆
读书可开阔视野,明了天下之大事;读书可陶冶情操,使人心胸更加开阔;读书可醒脑益智,
评分
☆☆☆☆☆
本书通过分析音乐的各种要素和结构, 深入浅出地叙述了有关音乐欣赏的一切必要知识,某些篇章内容超过了单纯音乐欣赏的范围, 而具有学理性探讨价值,不仅对音乐爱好者,就是对大多数专业音乐工作者也可能有一定的参考价值。
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☆☆☆☆☆
从中获得宝贵的启示并能懂得人生的真谛及生活的意义。 生快事,莫如读书。
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☆☆☆☆☆
或对某一个问题似有所闻的时候,打开书一看,你就会发现早已有人对这个问题做了充分的论述,
评分
☆☆☆☆☆
我父亲是个很棒的钢琴家,奥德萨音乐学院请他去任教。可我染上了斑疹伤寒,没法去奥德萨。母亲不得不离开我,去找我父亲,他也得了伤寒。她不得不滞留在那里,再加上白军、红军……等到她来接我,已经是四年以后了。这些年我一直和玛丽姨妈住。后来我母亲来接我,从奥德萨到日托米尔,路上整整用了一星期!那时的确世事艰难。
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☆☆☆☆☆
by the title of book
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☆☆☆☆☆
还没读完。一点一点读吧~~
What to Listen For in Music 如何欣赏音乐 [平装] mobi epub pdf txt 电子书 格式下载 2024