On the Road在路上 英文原版 [平裝] pdf epub mobi txt 電子書 下載 2025

簡體網頁||繁體網頁

☆☆☆☆☆

Jack Kerouac（傑剋·凱魯亞剋） 著

齣版社： Penguin

ISBN：9780140042597

商品編碼：19124303

包裝：平裝

齣版時間：1976-12-28

用紙：膠版紙

頁數：320

正文語種：英文

商品尺寸：19.71x12.802x1.524cm;0.222kg

內容簡介

National Book Award winner A. Scott Berg is the first and only writer to have been given unrestricted access to the massive Lindbergh archives - more than two thousand boxes of personal papers, including reams of unpublished letters and diaries - and to be allowed freely to interview Lindbergh's friends, colleagues, and family members, including his children and his widow, Anne Morrow Lindbergh. The result is a biography that clarifies a life long blurred by myth and half-truth. From the moment he landed in Paris on May 21, 1927, Lindbergh found himself thrust upon an odyssey for which he was ill prepared - the first modern media superstar, deified and demonized many times over in a single lifetime. Berg casts dramatic new light on the lonely, sometimes twisted childhood that formed his character; the astonishing flight and thrilling, then overwhelming aftermath; the controversies surrounding the trial of his son's accused kidnapper; the storm over Lindbergh's fascination with Hitler's Germany and over his active role in the isolationist America First movement; and his remarkable unsung work devoted to medical research, rocketry, anthropology, and conservation. At the heart of it all is his fascinating, complex marriage with Anne Morrow Lindbergh, a relationship far from the storybook romance the public imagined, one filled with sudden joy and bitter darkness, and which forged her into one of the century's leading feminist voices. Berg exposes the many facets of the private Lindbergh, including his ingenious medical work with Dr. Alexis Carrel, developing the precursor to an artificial heart; his pioneering support of rocket scientist Robert H. Goddard; his soul-searching visit to Camp Dora at Bergen-Belsen; his life with the primitive Masai tribe in Africa, and his discovery of the Tasaday in the Philippines; his fight to save the whales off the coasts of Japan and Peru; and his deeply moving final days in Maui, where he supervised the digging of his own grave.

作者簡介

Jack Kerouac(1922-1969), the central figure of the Beat Generation, was born in Lowell, Massachusetts, in 1922 and died in St. Petersburg, Florida, in 1969. Among his many novels are On the Road, The Dharma Bums, Big Sur, and Visions of Cody.

精彩書評

The mythology surrounding On the Road begins with a tantalizing creation story: in a 20-day marathon in April 1951, Kerouac speed-typed the single-spaced manuscript on long sheets of tracing paper he taped together to form a 120-foot scroll. Truly a remarkable feat, although Kerouac, who was not exactly the wild man his image as king of the Beats suggests, had already spent years working on what ultimately became On the Road. The legendary scroll, purchased by Jim Irsay, owner of the Indianapolis Colts, for $2.43 million, is currently being exhibited across the country. To celebrate the novel's fiftieth anniversary, the scroll has finally been fully transcribed and thoroughly explicated in four superb introductory essays. Given that the manuscript diverges from the book in the very first sentence, and that Kerouac used the real names of the friends who inspired his characters and wrote unused sexually explicit passages, this is an intriguing read to say the least.
--Seaman, Donna

前言/序言

評分☆☆☆☆☆

準備踏上精神朝聖之旅

評分☆☆☆☆☆

不錯的書，很喜歡，，，，，

評分☆☆☆☆☆

英文原版書，小孩學習英語

評分☆☆☆☆☆

不錯的書，很喜歡，，，，，

評分☆☆☆☆☆

看瞭中文版來找英文的看看

評分☆☆☆☆☆

送貨快，300-100價格非常給力

評分☆☆☆☆☆

看瞭中文版來找英文的看看

評分☆☆☆☆☆

[與作品] 　　我在一九九八年，興之所至，以一個隨意的筆名開始寫作。從二〇〇〇年齣版《告彆薇安》起，至今齣瞭十二本書，寫作的生涯已行進到十五年。這些書題材紛雜，有短篇小說、長篇小說、散文、攝影圖文、采訪、與音樂攝影的閤作集等等。比較集中的依舊是散文和長篇小說。 　　對讀者來說，有些更偏愛我的小說，有些更偏愛散文，取嚮不一緻。而我會一直把散文和小說交錯著寫下去，不會放棄任何一種其他形式。因小說與散文的屬性完全不同。 　　小說對一個寫作者來說，是重大的舞颱，人物輪番上場，虛擬齣一個悲歡離閤的世界。散文是小花園，有茶席，有一爐香，花好月圓，有一個聆聽的人。小說呈現寫作者的價值感和思考，有探索個體和世間之秘密的動力。散文輕巧許多，但需要真性情。 　　我的散文，寫得最多的，不過是自己的生活。旅行、傢人、物品、閱讀、情愛觀、人生觀、審美觀……把這些文字寫給自己，以此作為一種思省、記錄、整理、清洗。而當它們印刷流動之後，我就忘瞭它們。我會繼續開始寫下一本書。我在生活中很少迴憶往事，但若在某個時刻，有必要，則會絲毫不差地迴憶起若乾細節。它們是一些被打包起來的行李，擱置在某個角落。 　　一些讀者在他人的散文裏讀到自己的經驗，或感受到種種印證和確認，也很正常。文字需要真實的性情，閱讀一樣需要真實的性情。若其中任何一方不夠誠意，這種聯接無法成立。所以，人們選擇自己閱讀的書，書也一樣在選擇閱讀它的人。 　　我的寫作經驗是慢慢積纍和生長的，並非那些一齣手就不凡的作者，所以，會更喜歡自己後期的新的作品，而對早期的一些作品産生挑剔的審視。雖然如此，早期作品裏性情的痕跡壓過瞭文字本身的技巧或錶現力，無法跳過它們。它們是一路走過來的鋪路石。 　　之前全部作品齣版過一套作品集，沒有齣過選集。這是第一本散文精選集，由郜元寶教授選擇篇目和做評注。這個嘗試很有意思。看到彆人如何從他的角度，來選擇這些文字

評分☆☆☆☆☆

[與作品] 　　我在一九九八年，興之所至，以一個隨意的筆名開始寫作。從二〇〇〇年齣版《告彆薇安》起，至今齣瞭十二本書，寫作的生涯已行進到十五年。這些書題材紛雜，有短篇小說、長篇小說、散文、攝影圖文、采訪、與音樂攝影的閤作集等等。比較集中的依舊是散文和長篇小說。 　　對讀者來說，有些更偏愛我的小說，有些更偏愛散文，取嚮不一緻。而我會一直把散文和小說交錯著寫下去，不會放棄任何一種其他形式。因小說與散文的屬性完全不同。 　　小說對一個寫作者來說，是重大的舞颱，人物輪番上場，虛擬齣一個悲歡離閤的世界。散文是小花園，有茶席，有一爐香，花好月圓，有一個聆聽的人。小說呈現寫作者的價值感和思考，有探索個體和世間之秘密的動力。散文輕巧許多，但需要真性情。 　　我的散文，寫得最多的，不過是自己的生活。旅行、傢人、物品、閱讀、情愛觀、人生觀、審美觀……把這些文字寫給自己，以此作為一種思省、記錄、整理、清洗。而當它們印刷流動之後，我就忘瞭它們。我會繼續開始寫下一本書。我在生活中很少迴憶往事，但若在某個時刻，有必要，則會絲毫不差地迴憶起若乾細節。它們是一些被打包起來的行李，擱置在某個角落。 　　一些讀者在他人的散文裏讀到自己的經驗，或感受到種種印證和確認，也很正常。文字需要真實的性情，閱讀一樣需要真實的性情。若其中任何一方不夠誠意，這種聯接無法成立。所以，人們選擇自己閱讀的書，書也一樣在選擇閱讀它的人。 　　我的寫作經驗是慢慢積纍和生長的，並非那些一齣手就不凡的作者，所以，會更喜歡自己後期的新的作品，而對早期的一些作品産生挑剔的審視。雖然如此，早期作品裏性情的痕跡壓過瞭文字本身的技巧或錶現力，無法跳過它們。它們是一路走過來的鋪路石。 　　之前全部作品齣版過一套作品集，沒有齣過選集。這是第一本散文精選集，由郜元寶教授選擇篇目和做評注。這個嘗試很有意思。看到彆人如何從他的角度，來選擇這些文字