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☆☆☆☆☆

Oliver Jeffers（奥利弗·杰弗斯） 著

出版社： HarperCollins UK

ISBN：9780007263899

商品编码：19269789

包装：平装

出版时间：2012-04-01

页数：32

正文语种：英文

商品尺寸：30.73x21.84x1.02cm

内容简介

Delightful chaos ensues when a young boy gets his kite stuck in a tree in this laugh-out-loud new picture book from award-winning, internationally best-selling author-illustrator Oliver Jeffers! Floyd gets his kite stuck up a tree. He throws up his shoe to shift it, but that gets stuck too. So he throws up his other shoe and that gets stuck, along with...a ladder, a pot of paint, the kitchen sink, an orang-utan and a whale, amongst other things! Will Floyd ever get his kite back? A hilarious book with a wonderful surprise ending.

作者简介

Oliver Jeffers is an artist, designer, illustrator and writer from Northern Ireland. He graduated from the University of Ulster with a degree in Visual Communication.

From figurative painting and installation, to illustration and picture-book making, his work has been exhibited in New York, Dublin, London, Sydney, Washington DC, and Belfast.

He is widely known for his picture books for children, published by HarperCollins UK and Penguin USA. How to Catch a Star debuted in 2004 to critical acclaim, and Lost and Found (2005), won the Nestles Smarties Book Prize Gold Medal 2006, the Blue Peter Book Award 2006 and was shortlisted for the Kate Greenaway Medal the same year. The Incredible Book Eating Boy (2007) won the Irish Book Awards Children's Book of the Year, and his fourth Book The Way Back Home was released in September 2007 and The Great Paper Caper will be publlished in September 2008.

Jeffers' style of illustration uses mixed medium and is recognised for its subtle narrative and use of space in composition. As a freelance illustrator he has worked for clients such as Orange UK, Lavazza, Sony PSP, RCA Records, Starbucks, candycollective, Blanka, Graphic, the Vacuum and the Irish Times.

Jeffers' artwork consists of figurative painting executed on either canvas or three dimensional objects, both found and made. His most recent solo show (Additional Information, Belfast December 2006) studied the balance between form and content by drawing parallels between the arts and sciences, in which figurative oil paintings were over laid with mathematical equations.

As a co-founder of the art collective OAR, along with Rory Jeffers, Mac Premo and Duke Riley, their exhibitions include 9 Days in Belfast, book and the award winning BUILDING.

In 2007, Jeffers was the official World Book Day Ilustrator.

Lost and Found became Oliver's first book to made into animation by London based Studio AKA, screening on Christmas Eve 2008 on Channel 4.

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精彩书评

"Stuck is perhaps the most impressive picture book published this year... Brilliantly silly." Daily Telegraph Praise for The Incredible Book Eating Boy: 'Mouth-wateringly irresistible' The Guardian 'This is a book that children will devour' The Observer Praise for Lost and Found: 'A heart-warming story' The Guardian Praise for How to Catch a Star: 'The best recent picture book by light years, is stylishly spellbinding.' Telegraph 'Hail to new talent... If only all picture books could be this good.' The Bookseller Praise for The Heart and the Bottle: 'Profoundly moving' The Irish Times Praise for Up and Down: 'Full of heart'
-Irish Times

前言/序言

评分☆☆☆☆☆

Praise for 'The Incredible Book Eating Boy' "mouth-wateringly irresistible" The Guardian "this is a book that children will devour." The Observer "The whole thing looks good enough to eat." Times Educational Supplement "a beautifully produced edition that really is good enough to eat." The Bookseller "with IBEB, Jeffers has produced his most appealing work yet, conjuring up a magical piece of fiction that is not only divinely illustrated and wittily told, but perfectly realised." Junior Praise for 'Lost and Found': 'An uplifting story!pictures of such spare beauty!suffused with a dreamlike quality.' Independent Online 'Oliver Jeffers makes impressive use of space in this affecting story of friendship!illustrations capture feelings of loss and loneliness through the most delicate nuances of facial expression!and body language.' Julia Eccleshare, The Guardian 'Beautifully illustrated, simple warm story!little children will love to share it.' Carousel 'Jeffers has a unique writing and illustrative style. It's a wonderful picture book.' Publishing News 'My picture book of the year, a joyful exploration of the power of friendship.' Irish Independent Praise for 'How to Catch a Star': 'The best recent picture book by light years! stylishly spellbinding.' Telegraph 'A story about possibilities and disappointments with a triumphant ending, all of which Jeffers captures through the beautifully expressive changing moods of his little boy.' The Guardian 'This is a magical, beautifully illustrated tale about reaching for dreams.' Mail on Sunday 'Hail to new talent! If only all picture books could be this good.' The Bookseller

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超级喜欢olivet的huibw

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超级喜欢olivet的huibw

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非常给力,送货很快,书也很好看

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趁着用券结合活动买书，真的很划算，质量也好

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风格是我大爱，想把其他绘本都收了

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买给孩子看的，慢慢看

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不错不错不错不错不错不错不错不错不错

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东京梦华录》的作者是北宋的孟元老。孟元老，原名孟钺，号幽兰居士，开封市人。是孟昌龄的第四子, 曾任开封府仪曹，北宋末叶在东京居住二十余年。金灭北宋，孟元老南渡，常忆东京之繁华，于南宋绍兴十七年(1147)撰成《东京梦华录》。作为眼睁睁看着北宋覆灭的人，在落叶归根之年，时常忆起旧时繁华，实在不足为奇。买这本书，出于一个“缘”字。最近在家里时常翻阅中州古籍出版社出版的《白居易选集》，觉得无论是装帧，还是点评，都让人喜欢，朴素淡雅的装帧，排版得宜，恰到好处的讲解，既不会破坏读者的想象力，又很好地做了注释。翻到后面系列书籍里，一眼就看到了这个名字，东京梦华录。 我大约是对梦，对华字，相当地没有抵抗能力。倾尽一世繁华，留下的，有什么呢？ 《东京梦华录》大致包括这几方面的内容：京城的外城、内城及河道桥梁、皇宫内外官署衙门的分布及位置、城内的街巷坊市、店铺酒楼，朝廷朝会、郊祭大典，当时东京的民风习俗、时令节日，饮食起居、歌舞百戏等等，几乎无所不包。全书三万字，为笔记体散记文，描述的是北宋古城——东京（开封）的繁华市景。开封在唐末称汴州，是五代梁、晋、汉、周的都城。北宋统一，仍建都于此，也称为汴京或东京。我最感兴趣的，是其中的风土人情。据《东京梦华录》载，为满足市民夜生活的延长，商家为了追求利益，原先长期实行的“夜禁”宣布取消，开封城里出现了“夜市”、“早市”和“鬼市”。各种店铺的夜市直至三更方尽，五更又重新开张；如果热闹去处，更是通晓不绝；而有的茶房每天五更点灯开张，博易买卖衣服、图画、花环、领抹之类，至晓即散，谓之鬼市子。说起鬼，本该是让人害怕的，这里却是热闹至极的。看到这样的描述，不禁想起去年去泰国游玩的情景。清迈的市集很热闹，各色各样的旅客，各色各样的手艺人，各色各样的货物，两边摆满了，甚至本已不宽敞的小路的中间，也见缝插针地摆着摊。这在过去，便是说不尽道不完的繁华吧。有人如斯，在夜景下俯瞰热闹，独留苍凉，时光匆匆，原来是过去的回忆。悲欢离合，台上台下，热闹落寞，所有的悲伤，都不比不过眼看故国灭亡，而自己无能为力的伤。人生得意须尽欢，莫使金樽空对月。而真正的欢是什么呢？真正要珍爱的，又是什么呢？比起表面的繁华，我却看到了苍凉。 而因为姐妹篇《清明上河图》，我特地购下了一本导读。《繁华之城：东京梦华录》，引进版的作品，打开了，两边各开4折，一副清明上河图鱼跃而出。可惜不是全景，把一副画分割为上下部分，若是全景，那是再完美不过。 这本书有点小遗憾，书很旧，让我有些无言。各种翘角，飞边。希望京东日后在包装地时候能更加用心，而不是形式主义。