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Humanist, skeptic, acute observer of himself and others, Michel de Montaigne (1533—92) was the first to use the term “essay” to refer to the form he pioneered, and he has remained one of its most famous practitioners. He reflected on the great themes of existence in his wise and engaging writings, his subjects ranging from proper conversation and good reading, to the raising of children and the endurance of pain, from solitude, destiny, time, and custom, to truth, consciousness, and death. Having stood the test of time, his essays continue to influence writers nearly five hundred years later.
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Also included in this complete edition of his works are Montaigne’s letters and his travel journal, fascinating records of the experiences and contemplations that would shape and infuse his essays. Montaigne speaks to us always in a personal voice in which his virtues of tolerance, moderation, and understanding are dazzlingly manifest.
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Donald M. Frame’s masterful translation is widely acknowledged to be the classic English version.
(Book Jacket Status: Jacketed)
書很好,印刷很清晰,但是字體有點小
評分評分
我很喜歡書後一段他的訪談,對我一開始的幾個重大問題作瞭解釋,看過之後就覺得他的創作方法非常嚴謹。在訪談裏他說到:一開始想要追求的風格就是那種匆匆過客的眼光,後來因為大幅相機的操作復雜,拍攝之前需要仔細研究取景框內的影像,構圖越來越有係統性。他自信這些照片能夠歸做藝術,是因為是他刻意決定(並且達到瞭)某種風格,“art is the conscious decision”(藝術是有意識的抉擇),這個說法讓人覺得恍然大悟,當然也深切體會,把攝影當作藝術跟把照片拍好看是兩迴事兒。
評分評分
價錢太飄忽不定瞭,一會兩百多,一會一百多。收藏
評分因為讀過作者自己說的創作意圖,總有點兒先入為主的意見,找瞭一些朋友來看,普遍反映是“很無聊的到此一遊”,或者“刻意展示的平庸”,太難領會其中妙處,的確他的照片單挑幾張齣來來獨立觀賞,遠沒有整本書一遍一遍翻有趣,這應該也是他預期的結果。
評分我很喜歡書後一段他的訪談,對我一開始的幾個重大問題作瞭解釋,看過之後就覺得他的創作方法非常嚴謹。在訪談裏他說到:一開始想要追求的風格就是那種匆匆過客的眼光,後來因為大幅相機的操作復雜,拍攝之前需要仔細研究取景框內的影像,構圖越來越有係統性。他自信這些照片能夠歸做藝術,是因為是他刻意決定(並且達到瞭)某種風格,“art is the conscious decision”(藝術是有意識的抉擇),這個說法讓人覺得恍然大悟,當然也深切體會,把攝影當作藝術跟把照片拍好看是兩迴事兒。
評分評分
Frame翻譯的濛田也算是比較公認的經典版本瞭,趁著京東活動買下還是很值的。
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