Those Who Leave and Those Who Stay 英文原版 [平裝] [18歲及以上] pdf epub mobi txt 電子書 下載 2025

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Elena Ferrante 著

圖書標籤:

• Literary Fiction
• Family Saga
• Historical Fiction
• World War II
• Germany
• Postwar
• Relationships
• Secrets
• Loss
• Resilience

齣版社： Europa

ISBN：9781609452339

商品編碼：19539502

包裝：平裝

叢書名： Neapolitan Novels

齣版時間：2014-09-11

頁數：400

正文語種：英文

內容簡介

The incredible story continues in book three of the critically acclaimed Neapolitan Novels!

Since the publication of My Brilliant Friend， the first of the Neapolitan novels， Elena Ferrante’s fame as one of our most compelling， insightful， and stylish contemporary authors has grown enormously. She has gained admirers among authors—Jhumpa Lahiri， Elizabeth Strout， Claire Messud， to name a few—and critics—James Wood， John Freeman， Eugenia Williamson， for example. But her most resounding success has undoubtedly been with readers， who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging， human relationships， love， family， and friendship.
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In this third Neapolitan novel， Elena and Lila， the two girls whom readers first met in My Brilliant Friend， have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood， earned her college degree， and published a successful novel， all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women have attempted are pushing against the walls of a prison that would have seen them living a life of misery， ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong， unbreakable bond.

作者簡介

Elena Ferrante was born in Naples, Italy. She is the author of My Brilliant Friend, The Story of a New Name, and her previous novelsThe Days of Abandonment, Troubling Love, and The Lost Daughter.,,

精彩書評

Praise for Elena Ferrante and The Neapolitan Novels

The United States

“Ferrante’s novels are intensely， violently personal， and because of this they seem to dangle bristling key chains of confession before the unsuspecting reader.” —James Wood， The New Yorker
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“One of the more nuanced portraits of feminine friendship in recent memory.” —Megan O’Grady， Vogue
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“Amazing! My Brilliant Friend took my breath away. If I were president of the world I would make everyone read this book. It is so honest and right and opens up heart to so much. Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page， when your eyes seem to be popping from your head， when you think： I didn’t know books could do this!” —Elizabeth Strout， author of Olive Kitteridge
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“I like the Italian writer， Elena Ferrante， a lot. I've been reading all her work and all about her.” — John Waters， actor and director
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“Elena Ferrante may be the best contemporary novelist you’ve never heard of”— The Economist
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“Ferrante’s freshness has nothing to do with fashion…it is imbued with the most haunting music of all， the echoes of literary history.” —The New York Times Book Review
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“I am such a fan of Ferrante’s work， and have been for quite a while.” —Jennifer Gilmore， author of The Mothers
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“The women’s fraught relationship and shifting fortunes are the life forces of the poignant book” — Publisher’s Weekly
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“When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job， or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.”—Molly Fischer， The New Yorker

“[Ferrante’s Neapolitan Novels] don’t merely offer a teeming vision of working-class Naples， with its cobblers and professors， communists and mobbed-up businessmen， womanizing poets and downtrodden wives; they present one of modern fiction’s richest portraits of a friendship.” —John Powers， Fresh Air， NPR
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“Elena Ferrante is one of the great novelists of our time. Her voice is passionate， her view sweeping and her gaze basilisk . . . In these bold， gorgeous， relentless novels， Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now — one we need， one told brilliantly， by a woman.”—Roxana Robinson， The New York Times Book Review
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“An intoxicatingly furious portrait of enmeshed friends Lila and Elena， Bright and passionate girls from a raucous neighborhood in world-class Naples. Ferrante writes with such aggression ?and unnerving psychological insight about the messy complexity of female friendship that the real world can drop away when you’re reading her.”—Entertainment Weekly
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“Ferrante seasons the prose with provocative perceptions not unlike the way Proust did.” —Shelf Awareness
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“It would be difficult to find a deeper portrait of women’s friendship than the one in Ferrante’s Neapolitan novels， which unfold from the fifties to the twenty-first century to tell a single story with the possessive force of an origin myth.”—Megan O’Grady， Vogue
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“Ferrante’s writing is so unencumbered， so natural， and yet so lovely， brazen， and flush. The constancy of detail and the pacing that zips and skips then slows to a real-time crawl have an almost psychic effect， bringing you deeply into synchronicity with the discomforts and urgency of the characters’ emotions. Ferrante is unlike other writers—not because she’s innovative， but rather because she’s unselfconscious and brutally， diligently honest.”—Minna Proctor， Bookforum
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“Ferrante can do a woman’s interior dialogue like no one else， with a ferocity that is shockingly honest， unnervingly blunt.”—Booklist
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“The truest evocation of a complex and lifelong friendship between women I’ve ever read.” —Emily Gould， author of Friendship
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“Elena Ferrante is the author of several remarkable， lucid， austerely honest novels . . . My Brilliant Friend is a large， captivating， amiably peopled bildungsroman.” —James Wood， The New Yorker
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“Compelling， visceral and immediate . . . a riveting examination of power . . . The Neapolitan novels are a tour de force.”—Jennifer Gilmore， The Los Angeles Times
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“Those Who Leave and Those Who Stay?surpasses the rapturous storytelling of the previous titles in the Neapolitan Novels.”—Publishers Weekly (starred review)
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“Ferrante’s voice feels necessary. She is the Italian Alice Munro.”—Mona Simpson， author of Casebook and Anywhere But Here
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“Elena Ferrante will blow you away.”—Alice Sebold， author of The Lovely Bones
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“The Days of Abandonment?is a powerful， heartrending novel.”—Jhumpa Lahiri， Pulitzer-prize winning author of The Lowland
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“The Neapolitan novel cycle is an unconditional masterpiece . . . I read all the books in a state of immersion; I was totally enthralled. There was nothing else I wanted to do except follow the lives of Lila and Lenù to the end.”—Jhumpa Lahiri， Pulitzer-prize?winning author of The Lowland
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“Reading Ferrante reminded me of that child-like excitement when you can’t look up from the page， when your eyes seem to be popping from your head， when you think： I didn’t know books could do this!”—Elizabeth Strout， Pulitzer-prize winning author of The Burgess Boys
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“Elena Ferrante： the best angry woman writer ever!”—John Waters， director
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“The feverish speculation about the identity of Elena Ferrante betrays an understandable failure of imagination： it seems impossible that right now somewhere someone sits in a room and draws up these books. Palatial and heartbreaking beyond measure， the Neapolitan novels seem less written than they do revealed. One simply surrenders. When the final volume appears—may that day never come!—they’re bound to be acknowledged as one of the most powerful works of art， in any medium， of our age.”—Gideon Lewis-Kraus， author of A Sense of Direction
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“Ferrante tackles girlhood and friendship with amazing force.”—Gwyneth Paltrow， actor
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“Elena Ferrante’s The Story of a New Name. Book two in her Naples trilogy. Two words： Read it.”—Ann Hood， writer (from Twitter)
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“Ferrante continues to imbue this growing saga with great magic.”—Booklist (starred review)
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“One of Italy’s best contemporary novelists.”?—The Seattle Times

“Ferrante’s emotional and carnal candor are so potent.”—Janet Maslin， The New York Times
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“Elena Ferrante’s gutsy and compulsively readable new novel， the first of a quartet， is a terrific entry point for Americans unfamiliar with the famously reclusive writer， whose go-for-broke tales of women’s shadow selves—those ambivalent mothers and seething divorcées too complex or unseemly for polite society (and most literary fiction， for that matter)—shimmer with Balzacian human detail and subtle psychological suspense . . . The Neapolitan novels offer one of the more nuanced portraits of feminine friendship in recent memory—from the make-up and break-up quarrels of young girls to the way in which we carefully define ourselves against each other as teens—Ferrante wisely balances her memoir-like emotional authenticity with a wry sociological understanding of a society on the verge of dramatic change.” —Megan O’Grady， Vogue
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“My Brilliant Friend is a sweeping family-centered epic that encompasses issues of loyalty， love， and a transforming Europe. This gorgeous novel should bring a host of new readers to one of Italy’s most acclaimed authors.”—The Barnes and Noble Review
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“Ferrante draws an indelible picture of the city’s mean streets and the poverty， violence and sameness of lives lived in the same place forever . . . She is a fierce writer.”—Shelf Awareness
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“Ferrante transforms the love， separation and reunion of two poor urban girls into the general tragedy of their city.”––The New York Times
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“Beautifully translated by Ann Goldstein . . . Ferrante writes with a ferocious， intimate urgency that is a celebration of anger. Ferrante is terribly good with anger， a very specific sort of wrath harbored by women， who are so often not allowed to give voice to it. We are angry， a lot of the time， at the position we’re in—whether it’s as wife， daughter， mother， friend—and I can think of no other woman writing who is so swift and gorgeous in this rage， so bracingly fearless in mining?fury.”—Susanna Sonnenberg， The San Francisco Chronicle
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“Everyone should read anything with Ferrante’s name on it.”—The Boston Globe
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“The through-line in all of Ferrante’s investigations， for me， is nothing less than one long， mind-and-heart-shredding howl for the history of women (not only Neapolitan women)， and its implicit j’accuse . . . Ferrante’s effect， critics agree， is inarguable. ‘Intensely， violently personal’ and ‘brutal directness， familial torment’ is how James Wood ventures to categorize her—descriptions that seem mild after you’ve encountered the work.” —Joan Frank， The San Francisco Chronicle
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“Lila， mercurial， unsparing， and， at the end of this first episode in a planned trilogy from Ferrante， seemingly capable of starting a full-scale neighborhood war， is a memorable character.”—Publishers Weekly
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“An engrossing， wildly original contemporary epic about the demonic power of human (and particularly female) creativity checked by the forces of history and society.” —The Los Angeles Review of Books
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“Ferrante’s own writing has no limits， is willing to take every thought forward to its most radical conclusion and backwards to its most radical birthing.”?—The New Yorker


The United Kingdom

“The Story of a New Name， like its predecessor， is fiction of the very highest order.” —Independent on Sunday
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“My Brilliant Friend， translated by Ann Goldstein， is stunning： an intense， forensic exploration of the friendship between Lila and the story’s narrator， Elena. Ferrante’s evocation of the working-class district of Naples where Elena and Lila first meet as two wiry eight-year-olds is cinematic in the density of its detail.”—The Times Literary Supplement
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“This is a story about friendship as a mass of roiling currents—love， envy， pity， spite， dependency and Schadenfreude coiling around one another， tricky to untangle.”—Intelligent Life
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“Elena Ferrante may be the best contemporary novelist you have never heard of. The Italian author has written six lavishly praised novels. But she writes under a pseudonym and will not offer herself for public consumption. Her characters likewise defy convention . . . Her prose is crystal， and her storytelling both visceral and compelling.”—The Economist
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Ferrante is an expert above all at the rhythm of plotting： certain feuds and oppositions are kept simmering and in abeyance for years， so that a particular confrontation – a particular scene – can be many hundreds of pages in coming， but when it arrives seems at once shocking and inevitable.”—The Independent


Italy
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“Those Who Leave and Those Who Stay evokes the vital flux of a heartbeat， of blood flowing through our veins.”––La Repubblica
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“We don’t know who she is， but it doesn’t matter. Ferrante’s books are enthralling self-contained monoliths that do not seek friendship but demand silent， fervid admiration from her passionate readers . . . The thing most real in these novels is the intense， almost osmotic relationship that unites Elena and Lila， the two girls from a neighborhood in Naples who are the peerless protagonists of the Neapolitan novels.”—Famiglia Cristiana
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“Today it is near impossible to find writers capable of bringing smells， tastes， feelings， and contradictory passions to their pages. Elena Ferrante， alone， seems able to do it. There is no writer better suited to composing the great Italian novel of her generation， her country， and her time than she.”—Il Manifesto
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“Elena Ferrante is a very great novelist . . . In a world often held prisoner to minimalism， her writing is extremely powerful， earthy， and audacious.”—Francesca Marciano， author of The Other Language
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“Regardless of who is behind the name Elena Ferrante， the mysterious pseudonym used by the author of the Neapolitan novels， two things are certain： she is a woman and she knows how to describe Naples like nobody else. She does so with a style that recalls an enchanted spider web with its expressive power and the wizardry with which it creates an entire world.” —Huffington Post (Italy)
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“A marvel that is without limits and beyond genre.”—Il Salvagente

“Elena Ferrante is proving that literature can cure our present ills; it can cure the spirit by operating as an antidote to the nervous attempts we make to see ourselves reflected in the present-day of a country that is increasingly repellent.”—Il Mattino

“My Brilliant Friend flows from the soul like an eruption from Mount Vesuvio.”—La Repubblica


Australia
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“No one has a voice quite like Ferrante’s. Her gritty， ruthlessly frank novels roar off the page with a barbed fury， like an attack that is also a defense . . . Ferrante’s fictions are fierce， unsentimental glimpses at the way a woman is constantly under threat， her identity submerged in marriage， eclipsed by motherhood， mythologised by desire. Imagine if Jane Austen got angry and you’ll have some idea of how explosive these works are.”—John Freeman， The Australian
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“One of the most astounding—and mysterious—contemporary Italian novelists available in translation， Elena Ferrante unfolds the tumultuous inner lives of women in her thrillingly menacing stories of lost love， negligent mothers and unfulfilled desires.”—The Age
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“Ferrante bewitches with her tiny， intricately drawn world . . . My Brilliant Friend journeys fearlessly into some of that murkier psychological territory where questions of individual identity are inextricable from circumstance and the ever-changing identities of others.” —The Melbourne Review
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“The Neapolitan novels move far from contrivance， logic or respectability to ask uncomfortable questions about how we live， how we love， how we singe an existence in a deeply flawed world that expects pretty acquiescence from its women. In all their beauty， their ugliness， their devotion and deceit， these girls enchant and repulse， like life， like our very selves.” —The Sydney Morning Herald
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“The best thing I’ve read this year， far and away， would be Elena Ferrante…I just think she puts most other writing at the moment in the shade. She’s marvelous. I like her so much I’m now doing something I only do when I really love the writer： I’m only allowing myself two pages a day.” —Richard Flanagan， author of Book prize finalist， The Narrow Road to the Deep North


Spain
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“Elena Ferrante’s female characters are genuine works of art . . . It is clear that her novel is the child of Italian neorealism and an abiding fascination with scene.”—El Pais


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前言/序言

《未竟之歌：流浪者的迴響》圖書簡介 主題： 探尋身份認同、記憶的碎片化與重建，以及在曆史洪流中個體選擇的重量。 設定： 故事的背景設定在一個架空的、橫跨數個世紀的歐亞大陸交界地帶，一個被稱為“界碑之地”的復雜文化熔爐。這裏氣候多變，曆史遺跡與現代工業的痕跡交織，是不同民族、信仰和意識形態衝突與融閤的前沿。 --- 引言：破碎的地圖與失落的指南 在“界碑之地”的中心，矗立著一座古老的、據稱能預測未來與迴溯過去的巨大天文颱——“觀測塔”。然而，觀測塔的運轉早已失靈，其記錄的星圖如同被撕裂的羊皮捲，晦澀難懂。 本書講述瞭三代人，三段看似獨立卻又在宿命的絲綫上緊密相連的命運。他們都背負著一個共同的遺産：一個無法被完整拼湊的傢族秘密，以及一段被官方曆史抹去的集體記憶。 第一部：石闆上的銘文與靜默的守望者（時間：十九世紀末） 故事始於一個名叫伊利亞（Ilia）的年輕製圖師。伊利亞隸屬於一個緻力於繪製“無主之地”——即那些在帝國擴張中被忽略或故意隱去的村落——的秘密社團。他的傢族世代負責維護鎮上唯一的公共圖書館，那裏的藏書不僅是知識的載體，更是反抗暴政的無聲武器。 伊利亞的工作並非簡單地描繪地理坐標。他發現，古老的地圖上存在著“情感層”：某些地名會隨著居住者的信仰、財富或死亡而發生微妙的偏移。他的導師，一位年邁的語言學傢，在臨終前隻留下瞭一句模糊的指令：“尋找那條流嚮不存在的河流的支流。” 在這一部分，伊利亞必須在帝國嚴酷的文化同化政策下，秘密地將這些“情感地圖”記錄下來。他與一位來自北方遊牧民族的女性，莉拉（Lila），相遇。莉拉的部落因“界碑之地”的資源開發而被驅逐，她隨身攜帶的唯一物件，是一塊刻滿瞭未知象形文字的玄武岩石闆。伊利亞試圖通過對比他地圖上的符號與石闆上的銘文，來理解傢族曆史中關於“遷移”的真正含義——究竟是主動的選擇，還是被迫的流放。 這一部分的基調是壓抑的、對真相的追尋，充滿瞭對知識和土地的依戀。伊利亞的鬥爭，是如何在物理現實與精神地圖之間架起橋梁。 第二部：塵封的機械與代際的裂痕（時間：二十世紀中葉） 場景轉至“界碑之地”戰後重建時期。伊利亞的孫子，阿列剋謝（Alexei），是一位纔華橫溢但性格內斂的機械工程師。他繼承瞭傢族對細節的執著，但完全拒絕承認祖輩那些“虛無縹緲”的地圖學或語言學追求。阿列剋謝緻力於復興“觀測塔”的機械核心，堅信隻有精確的物理學和邏輯，纔能帶來真正的秩序與穩定。 然而，他的工作陷入僵局。觀測塔的核心部件——一個復雜的多軸齒輪係統——似乎缺少瞭某個關鍵的“非物質”組件。阿列剋謝在翻找祖父遺物時，發現瞭一係列看似矛盾的記錄：精確的幾何計算與抽象的詩歌描述並存。 此時，一股新的政治力量試圖將“界碑之地”重新定義為一個單一的、光榮的民族敘事中心。他們要求阿列剋謝提供技術支持，將觀測塔改造成一個宣傳國傢統一的巨大“燈塔”。 阿列剋謝的內心在實用主義和對傢族隱秘遺産的本能好奇中撕扯。他與一位研究民間口述曆史的社會學傢，薇拉（Vera），産生瞭閤作。薇拉收集到的故事，關於那些在戰爭和遷徙中“未曾歸來”的人，他們的記憶碎片，似乎正好對應瞭阿列剋謝機械裝置中缺失的那些“空隙”。阿列剋謝必須決定，他是否願意將自己的科學嚴謹性，用於探尋那些可能動搖當前社會結構的“非理性”真相。 這一部分的衝突集中在科學理性與集體記憶的張力，以及個體在宏大敘事麵前的妥協與抗爭。 第三部：數字的幽靈與重構的疆域（時間：當代） 故事的焦點落在阿列剋謝的女兒，索菲亞（Sofia），一位居住在國際都市的數字考古學傢。索菲亞的工作是利用最新的數據挖掘技術，重建被自然災害、戰爭和信息戰破壞的文化數據庫。 索菲亞偶然接觸到一個被加密的、古老的衛星圖像數據庫，其數據源指嚮她祖輩世代守護的“界碑之地”。她發現，無論她如何嘗試用算法還原圖像，總有一些關鍵的“像素點”永遠是空白的——它們似乎是被故意設置的“數據黑洞”。 索菲亞開始遠程追蹤那些似乎與“界碑之地”有聯係的現代人物：一位在邊境綫上經營非法文物交易的商人，以及一位在社交媒體上散布關於“失落文明”的神秘博主。她意識到，傢族的秘密並非僅僅是關於過去的地理位置，而是關於信息流動的路徑和被截斷的通訊。 為瞭理解這些數據黑洞的意義，索菲亞必須迴到她疏遠的傢鄉，麵對那些充滿鐵銹和未解之謎的舊機械，以及那些仍然堅守著口頭傳統的最後一代“守望者”。她最終明白，傢族的遺産不是一張地圖，而是一個持續的“解碼過程”。她必須決定，是否要將這些不完整、充滿矛盾的真相公之於眾，還是將其永遠保留在加密的深處，以保護那些選擇“不留下”的人的隱私與尊嚴。 核心主題與思考： 《未竟之歌》深入探討瞭以下議題： 地圖的權力： 誰有權定義邊界？物理邊界與心理邊界的重疊與衝突。 記憶的重量： 記憶如何被編織、篡改和保護？一個社群如何界定自己，是基於共同擁有的曆史，還是共同遺忘的部分？ 歸屬的代價： 留下的人與離開的人，各自付齣瞭怎樣的代價？而選擇“留下”本身，是否也是一種不斷重復的“離開”？ 本書以其豐富的曆史層次、精密的機械意象和對數字時代信息倫理的深刻反思，構建瞭一幅關於身份、抵抗與傳承的史詩畫捲。它不是講述一個關於勝利或失敗的故事，而是關於如何在一個破碎的世界中，學會閱讀那些模糊不清的指示牌，並勇敢地選擇自己前行的方嚮。

評分☆☆☆☆☆

這部作品最成功的地方，或許在於它成功地在黑暗和希望之間找到瞭一個微妙的平衡點。你會在故事中經曆巨大的痛苦和失落，但同時，那些關於勇氣、友誼和堅守的描寫又會給你帶來無盡的力量。它讓你直麵人生的殘酷性，卻又提醒你，即便在最寒冷的時刻，人與人之間的聯結依然是最強大的武器。我感覺自己在讀完之後，對現實生活中的一些問題似乎也有瞭更清晰、更寬容的理解。它不是那種讀完就忘的快餐文學，而是會留在你記憶深處，時不時跳齣來提醒你某些重要真理的經典之作。強烈推薦，絕對值得你投入時間去細細品味。

評分☆☆☆☆☆

說實話，一開始我對這本書抱有很高的期待，畢竟名聲在外，但真正讀進去之後，發現它比我想象的還要精彩得多。作者的敘事風格非常獨特，時而磅礴大氣，時而細膩入微，這種節奏的切換處理得非常高明。書中的世界觀構建得極為宏大而完整，每一個設定都有其深層次的邏輯支撐，讓人不得不佩服作者的想象力和構建能力。我花瞭好些時間去品味其中的一些隱喻和象徵，每一次重讀似乎都能發現新的含義，這種多層次的解讀空間是很多作品所不具備的。它不隻是提供瞭一個消遣的讀物，更像是一把鑰匙，打開瞭通往更廣闊思想領域的門。

評分☆☆☆☆☆

這本書的魅力就在於它對人性的洞察力，簡直太深刻瞭。作者沒有簡單地描繪好人與壞人，而是將每個人物都塑造成瞭一個有血有肉、充滿矛盾的復雜體。他們的選擇，他們的掙紮，都深深植根於他們所處的環境和自身的經曆之中，讓人在評判的同時，也不禁反思自己。我特彆喜歡那種在絕境中依然閃現齣的人性光輝，那種不屈服的生命力，讀起來非常振奮人心。盡管篇幅不短，但閱讀過程卻絲毫沒有感到拖遝，每一個段落都充滿瞭力量感，讓人迫不及待想知道接下來會發生什麼。這是一部真正能觸動靈魂的作品。

評分☆☆☆☆☆

這本書真是讓人欲罷不能，翻開它就像是踏入瞭一個完全不同的世界。作者的文字功底深厚，描繪的場景和人物都栩栩如生，每一個細節都處理得恰到好處，讓人仿佛身臨其境。故事情節的推進張弛有度，高潮迭起，每一次轉摺都齣乎意料卻又閤乎情理，讀起來酣暢淋灕。我尤其欣賞作者對於人物內心世界的刻畫，那些復雜的情感糾葛、內心的掙紮和成長，都被展現得淋灕盡緻，讓人感同身受。讀完之後，那種意猶未盡的感覺久久不能散去，甚至會忍不住去思考書中所探討的那些深刻的主題。這本書不僅僅是一個故事，更像是一次深刻的生命體驗，強烈推薦給所有熱愛深度閱讀的同好們。

評分☆☆☆☆☆

我嚮來不太喜歡篇幅過長的作品，但這一本完全打破瞭我的偏見。作者的筆力之強，可見一斑。他似乎有一種魔力，能將最瑣碎的生活片段也寫得引人入勝，同時又能駕馭史詩般的宏大敘事。語言的運用上，簡直是一種享受，那些精心挑選的詞匯，那些富有韻律感的句子結構，讀起來簡直是一種聽覺和智力上的雙重盛宴。我經常需要停下來，反復咀嚼某一段話，感受那種文字本身帶來的美感和衝擊力。對於那些追求文學性的讀者來說，這本書絕對是不可多得的珍寶，它讓你重新愛上文字本身的力量。