Maus I: A Survivor's Tale [平裝] 下載 mobi epub pdf 電子書 2025

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內容簡介

A story of a Jewish survivor of Hitler's Europe and his son, a cartoonist who tries to come to terms with his father's story and history itself.

作者簡介

The Pulitzer prize winning author of "Maus" and "Maus II", Art Spiegelman was born in Stockholm, Sweden, and grew up in Rego Park, New York. He is also the co-founder/editor of RAW, the acclaimed magazine of avant-garde comix and graphics and the illustrator of the lost classic "The Wild Party" by Joseph Moncure March. Spiegelman's work has been published in more than sixteen languages and has appeared in "The New York Times, Village Voice, " and "Playboy", among others. He has been a contributing editor and cover artist for "The New Yorker" since 1992.

Spiegelman attended the High School of Art and Design in New York City and SUNY Binghamton and received an honorary doctorate of letters from SUNY Binghamton in 1995. He began working for the Topps Gum Company in 1966, as association that lasted over twenty years. There he created novelty cards, stickers and candy products, including Garbage Candy, Wacky Packages and Garbage Pail Kids. He began producing underground comix in 1966, and in 1971 moved to San Francisco, where he lived until 1975.

His work began appearing in such publications as "East Village Other, Bijou" and "Young Lust Comix". In 1975-76, he, along with Bill Griffith, founded "Arcade, The Comic Revue". His book, "Breakdowns", an anthology of his comics, was published in 1977.

Spiegelman moved back to New York City in 1975, and began doing drawing and comix for "The New York Times, Village Voice" and others. He became an instructor at The School of Visiual Arts from 1979-1987. In 1980, Spiegelman and his wife, Francoise Mouly, started the magazine RAW, which has over the years changed the public's perception of comics as an art form. It was in RAW that "Maus" was first serialized. In 1986, Pantheon Books published the first half of "Maus" and followed with "Maus II" in 1991. In 1994 he designed and illustrated the lost Prohibition Era classic by Joseph Moncure March, "The Wild Party". In 1997, Spiegelman's first book for children, "Open Me ... I'm a Dog" was published by HarperCollins.

Art Spiegelman has received The National Book Critics Circle nomination in both 1986 and 1991, the Guggenheim fellowship in 1990, and a special Pulitzer Prize in 1992. His art has been shown in museums and gallery shows in the United States and abroad, including a 1991 show at the Museum of Modern Art in New York City.

He and his wife, Francoise Mouly, live in lower Manhattan with their two children, Nadja and Dashiell.

精彩書評

"Maus is a book that cannot be put down， truly， even to sleep. When two of the mice speak of love， you are moved， when they suffer， you weep. Slowly through this little tale comprised of suffering， humor and life's daily trials， you are captivated by the language of an old Eastern European family， and drawn into the gentle and mesmerizing rhythm， and when you finish Maus， you are unhappy to have left that magical world."--Umberto Eco
Maus I: A Survivor's Tale [平裝] 下載 mobi epub pdf txt 電子書 格式

評分☆☆☆☆☆

I first read this book as a teenager, and would highly recommend it to people of any age. Over the years, I have re-read it frequently and shared it with friends of all ages. All have taken much from Spiegelman's tale.

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A few notes must be made in response to the 10/26/97 comment posted below by a reviewer from Ontario, Canada. It is quite clear that this reviewer did not, in fact, read the book. (S)he mistakenly attacks Spiegelman for portraying the Poles as rats, and wonders if he would be offended if a book were written portraying Jews as rats. Anyone who took the time to read Maus (or merely to examine it's cover!) would know that it is, in fact, the Jewish people who are portrayed as mice/rats, whereas the Poles are portrayed not as vermin, but rather as pigs.

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　　二人對答，皆須傳音。長身少女看似侃侃而言，其實也隻得君無忌一人聽見，即使有第三者在場，也隻能見她嘴動，卻是不聞其聲。

評分☆☆☆☆☆

Finally, the reviewer in question inelegantly raises a point of some merit, though it is one that is only tangentially related to Spiegelman's work. The Polish people did, in fact, suffer horribly at the hands of both Nazis and Soviets alike....

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　　然而，對於嚮陽君這個單獨的客人來說，像是什麼也不曾覺察。他隻是注意著手上的那一壺酒，不時地仰起脖子來，把滿滿的一杯酒注入喉嚨裏，對於手握刀柄怒視著他的一個人也不瞧上一眼。

評分☆☆☆☆☆

評分☆☆☆☆☆

Finally, the reviewer in question inelegantly raises a point of some merit, though it is one that is only tangentially related to Spiegelman's work. The Polish people did, in fact, suffer horribly at the hands of both Nazis and Soviets alike....

評分☆☆☆☆☆

非常好,紙比中文版的柔和

評分☆☆☆☆☆

提高效益，亦可謂“教學相長”。

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