The Handmaid's Tale 英文原版 [平裝] pdf epub mobi txt 電子書 下載 2025

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Margaret Atwood（瑪格麗特·阿特伍德） 著

齣版社： Knopf Group

ISBN：9780385490818

商品編碼：19041796

包裝：平裝

齣版時間：1998-03-16

用紙：膠版紙

頁數：311

正文語種：英文

商品尺寸：20.57x13.21x1.78cm;0.22kg

內容簡介

It is the world of the near future, and Offred is a Handmaid in the home of the Commander and his wife. She is allowed out once a day to the food market, she is not permitted to read, and she is hoping the Commander makes her pregnant, because she is only valued if her ovaries are viable. Offred can remember the years before, when she was an independent woman, had a job of her own, a husband and child. But all of that is gone now...everything has changed.

作者簡介

When Margaret Atwood announced to her friends that she wanted to be a writer, she was only 16 years old. It was Canada. It was the 1950s. No one knew what to think. Nonetheless, Atwood began her writing career as a poet. Published In 1964 while she was still a student at Harvard, her second poetry anthology, The Circle Game, was awarded the Governor General's Award, one of Canada's most esteemed literary prizes. Since then, Atwood has gone on to publish many more volumes of poetry (as well as literary criticism, essays, and short stories), but it is her novels for which she is best known.

Atwood's first foray into fiction was 1966's The Edible Woman, an arresting story about a woman who stops eating because she feels her life is consuming her. Grabbing the attention of critics, who applauded its startlingly original premise, the novel explored feminist themes Atwood has revisited time and time again during her long, prolific literary career. She is famous for strong, compelling female protagonists -- from the breast cancer survivor in Bodily Harm to the rueful artist in Cat's Eye to the fatefully intertwined sisters in her Booker Prize-winning novel The Blind Asassin.

Perhaps Atwood's most legendary character is Offred, the tragic "breeder" in what is arguably her most famous book, 1985's The Handmaid's Tale. Part fable, part science fiction, and part dystopian nightmare, this novel presented a harrowing vision of women's lives in an oppressive futuristic society. The Washington Post compared it (favorably) to George Orwell's iconic 1984.

As if her status as a multi-award-winning, triple-threat writer (fiction, poetry, and essays) were not enough, Atwood has also produced several children's books, including Princess Prunella and the Purple Peanut (1995) and Rude Ramsay and the Roaring Radishes (2003) -- delicious alliterative delights that introduce a wealth of new vocabulary to young readers.

精彩書評

"In this Orwellian dramatization, religion becomes a tool of repression and social control to force women into the roles of stay-at-home wives, domestic staff, prostitutes, or surrogate mothers. They have no rights to their bodies or property and are completely dependent upon men. Those women who have had at least one child find themselves forced into the role of breeding machine, producing children for childless couples. References to 20th-century issues abound, including Agent Orange, abortion, women's rights, and escape attempts to Canada. At least 14 different readers make it easy for the listener to distinguish among the various characters. Despite sound effects and some indistinguishable white noise, there are a few spots with dead air. This program will be of interest to Atwood fans and those interested in futuristic tales. Recommended for public and academic libraries."
--Laurie Selwyn, Grayson Cty. Law Lib.

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第三位六道 漩渦長門（韆手一族遠親、仙人之體方能有資格繼承斑的輪迴眼）

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漩渦長門生於川之國一個非忍者傢庭。第二次忍界大戰時，兩名木葉忍者闖入長門傢中。黑暗中，他們誤以為長門父母為敵方忍者，遂將其父母殺死。驚恐中的漩渦長門使用輪迴眼，將入侵者擊斃。從此，失去瞭雙親的長門過起瞭飢一頓飽一頓的流浪生活。善良的漩渦長門在途中偶遇同命相連的戰爭孤兒：小南、彌彥。三人決定結伴相依為命.....在一次旅途中恰巧遇到三忍大戰山椒魚半藏。後由彌彥提議，三人決定拜師三忍學習生存的本領，為振興川之國而努力。最終自來也決定留下照顧戰後孤兒，

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東西不錯， 買過很多次瞭！

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書特彆舊，感覺像是二手書，不好，不值。

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漩渦長門Ⅰ(40張)在臨終前，將輪迴眼移植於同為仙人之體後裔、韆手一族遠親幼年漩渦長門身上。將長門定為輪迴眼的繼承人，期望宇智波帶土今後能夠籠絡住長門，用輪迴天生復活自己...而長門從此也就成為第三位六道

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　　非專業習茶的人要在短時間內掌握充分且正確的茶道入門知識是不容易的，筆者以從事二十五年茶道教學的經驗，多次整理這類課程，皆希望使初學者能以最短的時間與精力理解並應用這些知識。為達到這個目的，在寫法上，如“茶之製造”就不是依綠茶、烏龍茶、紅茶、普洱茶等逐個介紹，而是綜閤敘述後再補以個彆的差異；“茶的分類方式”改以消費者與市場為之，避開瞭以産業為本位的做法。衝泡與飲用的部分則以實際操作為基礎，紮實、明確地求其實用，並配閤以美學、思想的人文成分。

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