具体描述
HARUKI MURAKAMI was born in Kyoto in 1949 and now lives near Tokyo. His work has been translated into more than fifty languages, and the most recent of his many international honors is the Jerusalem Prize, whose previous recipients include J. M. Coetzee, Milan Kundera, and V. S. Naipaul.
A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and his close friend, the former conductor of the Boston Symphony Orchestra.
Haruki Murakami’s passion for music runs deep. Before turning his hand to writing, he ran a jazz club in Tokyo, and from The Beatles’ “Norwegian Wood” to Franz Liszt’s “Years of Pilgrimage,” the aesthetic and emotional power of music permeates every one of his much-loved books. Now, in Absolutely on Music, Murakami fulfills a personal dream, sitting down with his friend, acclaimed conductor Seiji Ozawa, to talk, over a period of two years, about their shared interest. Transcribed from lengthy conversations about the nature of music and writing, here they discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from record collecting to pop-up orchestras, and much more. Ultimately this book gives readers an unprecedented glimpse into the minds of the two maestros.
It is essential reading for book and music lovers everywhere.
用户评价
##本书最大的价值于我是小泽征尔的音乐史八卦，由对话这种形式而引出，显得自然又富有韵味。因为指挥家的话比较少，所以中段会觉得村上春树太罗嗦。小泽征尔的叙述帮助我对指挥有了更丰富的了解（和指挥大师们共事的回忆非常精彩），对古尔德的评价（可惜最核心的部分被删去了），马勒演绎的发展和其音乐的特色，四重奏于古典音乐的地位等。值得一看。
评分##书不长，我读得很慢。反复听书中提到的乐章，一边对照小泽的评论，很特别。静下心来听不同版本的勃一、贝三、马勒，弦乐四重奏，仿佛开启了不同的时空。对话中对指挥风格及音乐理解都讲得很玄，门外汉的我并不能完全理解。每当提及指挥种种辛勤，我都想起少年时弦乐团的指挥罗仲兴老师。那时他已是老人，却为我们这帮熊孩子投注了极大的热情，从无到有拉扯起一个少儿乐团。想起碧波中学教室，罗湖少年宫排练厅，记忆蒙了尘但仍在。那只乐队是我学琴生涯最珍贵的体验。依然记得他耐心教我们如何去听其他声部，如何正确地弱奏... 带我们一帮资质平平的孩子学习莫扎特、海顿等等美妙的乐章。这些都沉淀为我一生的财富。那时不懂，长大后才感慨他对音乐和教育的热忱。年少时一切总是太匆忙，马不停蹄地长大，多后悔没能妥当的感谢与道别。缅怀您，罗老师 有些书拥有某种很奇异的特质，初拿到手，就像靠近一个有所耳闻、很想结识的人，不知如何与他熟络起来，只得违逆心性，硬着头皮套近乎。慢慢地，找对了交流的频道，从最初的生疏不解，到逐渐进入他的世界，相处的姿态越来越舒适，并且不断感受到：看似高冷的他，原来是一个这么...
评分##Mahler Symphony No.1 in D major
评分##阅读村上这本书给我的快乐无与伦比！今天开始看，一口气看了78页。有中文版《与小泽征尔共度的午后音乐时光》。如果我翻译，会译成音乐的纯粹，或者音乐的极致，体现出absolutely。书里村上说了一句话：Like love, there can never be too much ‘good music.” 在我看这就是极致。村上的音乐造诣令人叹服，小泽的个性即艺术家又和蔼。这本书我是这样读的：边读边做笔记（电子书方便），电脑同时开两个YouTube窗口，一个放伯恩斯坦指挥，格兰古德演奏的勃拉姆斯钢琴协奏曲1号，一个放卡拉扬指挥，古德演奏的贝多芬钢琴协奏曲No 3 C major，因为村上和小泽用了大量篇幅谈论这两场演出。边读边听是这本书最好的阅读方式。我写过关于古德的日记，大爱他。去看书吧！
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