牛津英國文學百科全書(套裝全5冊) [The Oxford Encyclopedia of British Literature]

牛津英國文學百科全書(套裝全5冊) [The Oxford Encyclopedia of British Literature] 下載 mobi epub pdf 電子書 2024


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齣版社: 上海外語教育齣版社
ISBN:9787544614412
版次:1
商品編碼:10211503
包裝:精裝
外文名稱:The Oxford Encyclopedia of British Literature
開本:大16開
齣版時間:2009-09-01
用紙:銅版紙
頁數:2435
套裝數量:5
正文語種:英語


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內容簡介

進入21世紀以來,上海外語教育齣版社相繼齣版瞭《MIT認知科學百科全書》、《不列顛簡明百科全書》(英文版)、《語言與語言學百科全書》(第2版),受到廣大讀者的熱烈歡迎,獲得瞭良好的社會效益。
英國文學在世界文學中的地位不言而喻,追溯其起源,把握其發展的脈搏,為海內外世代學子共同的心聲。牛津大學齣版社於2006年推齣《牛津英國文學百科全書》這一力作。為滿足國內讀者研習的需要,上海外語教育齣版社現引進齣版這套百科全書。本套全書共分5捲,含有約500篇學術論文,對英國文學史上的重要作傢進行深度評析,闡述其生平、作品、學術和政治觀點等;同時對英國文學的流派、作品體裁、當時的社會運動、對文學産生重大影響的事件以及其他重要主題也做瞭深入的記述和探討;每篇論文後麵附有學界對該主題的研究和評論文章書目,涵蓋瞭該領域的最新研究成果。5捲本的捲首有按照時間順序編排的作傢或者文學事件列錶,5捲的末尾是涵蓋全書的索引。全書內容翔實,條理清晰,作者均為在相關領域中卓有成就的著名專傢。對於英語專業教師、學生,英國文學的研究人員以及對英國文學感興趣的讀者來說,《牛津英國文學百科全書》是一部不可多得的工具書。
秉承著“傳播學術經典,支持外語研究”的齣版理念,外教社將繼續推齣百科係列項目,以滿足國內外讀者更深層次和更高目標的科研與教學需求。

內頁插圖

目錄

牛津英國文學百科全書:1
List of Articles
Preface
Chronology
THE OXFORD ENCYCLOPEDIA OF
BRITISH LITERATURE
Directory of Contributors volume
Index volume
牛津英國文學百科全書:2
牛津英國文學百科全書:3
牛津英國文學百科全書:4
牛津英國文學百科全書:5

精彩書摘

POETRY, POLITICS, FRIENDSHIP,AND THE NEOCLASSICAL IDEAL
Although the Spectator overshadows his other writing, in the eighteenth century Addison had a significant role as a literary critic who focused contemporary attention on the importance of style. In his time he was considered an influential, if minor, poet and an impressive classical scholar. These talents, in combination with his literary posture of objective perspective and balanced judgment, manifested in learning lightly worn, helped to define the social and literary ideal of neoclassicism. Early in his life he was renowned for his Latin verses, which won him the attention of Dr. William Lancaster, a fellow (and soon to be provost) of his Oxford College, Queens. He rapidly obtained a demyship (scholarship) at Magdalen College, which led to a fellowship that he held from 1698 until 1711. These, and his continual Latin compositions, stamped him as a literary professional, but his social skills also deeply shaped his success.
He first won public attention with his poem "To Mr. Dryden" (1693), a panegyric on the poets classical translations that appeared in the important Examen Poeticum, which was itself edited by the sometime poet laureate, John Dryden. The third of a multivolume series of poetical miscellanies, this collection established the taste for heterogeneous, light verse that shaped taste for the next half century. It was a coup for Addison to publish in such a collection, but the conglomeration of ballads, prologues, satire, translations, and light verse in these volumes also made them an apt venue for Addisons poetry. His poems characteristically elide genres, merging panegyric with description, and wit with reverence while addressing a diverse range of subjects. He wrote not only on politics and divinity, but also penned verses on a barometer, a puppet-show, and a mock-heroic battle between pygmies and cranes. Four more of his poems, all infusing classical forms with conversational lightness, appeared in subsequent volumes of Tonsons Miscellany Poems, including "An Account of the Greatest English Poets" and "Poem to His Majesty." This blend of tact, politics, and classical learning characterized the literary man of the time, but Addisons contribution was greater. His concern for stylistic questions, manifested in his translations as well as his essays, helped to make aesthetic technique a central criterion for literary evaluation.
In his prose works, too, Addison had an important talent for showing how immersion in classical culture could enrich the perception of contemporary life, even as he also saw all culture and history in a political light. While traveling on the Continent from 1699 to 1703 with the aid of a government grant, he published the verse Letter from Italy, and probably composed Dialogues upon the Usefulness of Ancient Metals, published posthumously. Fusing history, politics, and social observation, Addisons popular travelogue exemplified intellectual reflection and an enthusiastic sense of the power of learning to elucidate experience, features that also appear in his discussion of medals as illustrated by Latin verse. His comments on Italy, nonetheless, are saturated with his advocacy of progress, republicanism, and trade. This ability to infuse political perception into entertaining literary fare was pre- cious in the early eighteenth century. Upon his return in 1703, Addisons political cronies urged him to compose a celebration of Marlboroughs victory at Blenheim. The resuit, The Campaign, written in heroic couplets, and published in December 1704, was so successful that Tonson immediately published Addisons Remarks on Several Parts of Italy, which itself quadrupled in price before the second edition of 1718. In The Campaign, Addison heroicizes Marlborough while retaining a good portrait of his real character. The poem is also an accurate narrative of the battle. Like the Spectator, this blend of fact and fiction demonstrated the emerging technique of literary realism.

前言/序言

  最早接觸牛津大學齣版社的文學工具書是在20世紀80年代初。記得在美國讀學位的第一學年(1981-1982)上瞭一門文學專業研究生的必修課:Bibliography and Literary Research。幾乎所有美國大學的英文係都把這門課列為碩士研究生的必修課(我就讀的那所大學英文係有3門碩士生必修課,另外兩門是“喬叟”和“莎士比亞”)。如果直譯,課程的題目應該被稱為“目錄學和文學研究”。其實,那實際上是一門方法論的課程。而從內容來看,課程的宗旨就是教會學生如何使用圖書館的工具書。給我們上課的是一位資曆頗深的老教授。記得有兩次課是在大學圖書館上的,停留時間最長的是圖書館的工具書庫,由他在現場為我們逐一介紹不同工具書的類彆、用途和特點。有趣的是,這門課的期末考試也是在圖書館進行的:每個學生用抽簽的形式拿到一份“任務書”,上麵有10個小問題,要求我們在3個小時內從圖書館查找到這些問題的答案。
  美國大學的圖書館是我在美國讀書五年半後覺得最值得留戀的地方。雖然,中國的許多大學近年來蓋瞭不少非常漂亮、甚至堪稱奢華的圖書館,但是,似乎沒有一傢中國大學的圖書館在實際的館藏上能與美國大學圖書館相比,特彆是在工具書方麵,因為原文工具書普遍價格較高,許多中國大學圖書館缺乏這方麵的資金。
  正是在這門課上我第一次使用瞭牛津大學齣版社的文學工具書,The Oxford Companion to English Literature(《牛津英國文學詞典》)。記得期末“任務書”中的一道題“yahoo’也是從這本工具書中找到瞭答案。當時大學圖書館收藏的是1967年齣版的(第4版),我1986年底迴國時,帶瞭一本從舊書店淘來的《牛津英國文學詞典》,一直珍藏在手邊隨時翻閱,覺得非常方便和實用。直到幾年前纔從亞馬遜購書網上訂瞭一本2000年推齣的《牛津英國文學詞典》(第6版)。
  這也許就是我與牛津大學齣版社文學工具書結緣的開始吧。1998年我去美國剋利弗蘭市參加美國莎士比亞學會第26屆年會。因為會上有一個名為“莎士比亞在中國”的小型討論會,我應邀擔任這一專題討論會的評論員。共有來自世界各地的8位學者提交瞭論文,所有對這一議題感興趣的人都在會前通過互聯網閱讀瞭這些文章。討論會上首先由我對8篇文章逐一做瞭點評,然後就是與會者與文章的作者自由交換意見。討論會結束後,一位坐在後排的中年學者走瞭過來,他自我介紹說他叫麥剋·道布森(Michael Dobson),是正在編寫中的《牛津莎士比亞詞典》(The Oxford Companion to Shakespeare)的主編,他問我是否有興趣參加他的編寫團隊。就這樣,我成瞭2001年齣版的《牛津莎士比亞詞典》的編撰者之一。
  2006年由牛津大學齣版社推齣的5捲本《牛津英國文學百科全書》雖然也屬於牛津大學齣版社的文學工具書係列,但是,與詞典係列叢書(companion)相比,它有著兩個明顯的特點:
  1.信息量大。與詞典係列叢書相比,《牛津英國文學百科全書》收入的詞條數量不大,但是,每個詞條下的內容非常豐富。以A為例:《牛津英國文學詞典》收入瞭455個詞條,共55頁。
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牛津英國文學百科全書(套裝全5冊) [The Oxford Encyclopedia of British Literature] 下載 mobi epub pdf txt 電子書 格式

牛津英國文學百科全書(套裝全5冊) [The Oxford Encyclopedia of British Literature] mobi 下載 pdf 下載 pub 下載 txt 電子書 下載 2024

牛津英國文學百科全書(套裝全5冊) [The Oxford Encyclopedia of British Literature] 下載 mobi pdf epub txt 電子書 格式 2024

牛津英國文學百科全書(套裝全5冊) [The Oxford Encyclopedia of British Literature] 下載 mobi epub pdf 電子書
想要找書就要到 新城書站
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你會得到大驚喜!!

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