盛夏之死: 失序美學的極致書寫, 三島由紀夫自選短篇集 pdf epub mobi txt 电子书 下载 2025

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三島由紀夫 著

图书标签:

• 三島由紀夫
• 日本文学
• 短篇小说集
• 现代文学
• 文学经典
• 死亡美学
• 失序美学
• 自选集
• 文学
• 艺术

出版社： 大牌出版

ISBN：9789865797744

商品编码：16090400

开本：25开

页数：336

内容简介

◎ 收錄三島由紀夫21歲到38歲的短篇精華，一窺「日本海明威」對己身創作的持續突破與藝術追求。
◎ 〈香菸〉受川端康成激賞推薦，以新人之姿刊登在《人間》雜誌，是三島正式進入文壇的起點。
◎ 〈春子〉貫徹官能主義的傑作，堪稱女同性戀小說的戰後先驅。
◎ 〈翼〉模仿哥提耶式的寫作主義，以寓言的方式描述不得不在戰時與戰後苟活的青年悲痛。
◎ 〈離宮之松〉、〈猜字謎〉嘗試以數理方式醞釀出的技術實驗。

失序衍生悲劇，悲劇蔓延宿命
當某種殘酷可怕的宿命，耗費長久的時間，
終於成功地消融在日常生活的瑣碎網眼時，
人類將會再次渴求宿命……

夏日豪華鼎盛之際，我們被移向更深的死亡
〈盛夏之死〉是三島由紀夫環遊歐洲列國半年之後，根據一起發生在伊豆海邊的溺水事件為架構所撰寫的中篇小說。描寫無憂無慮的朝子，遭遇了毫無天理的悲劇，她如何在時間的推移中走出悲傷，她是否也應該「老老實實如世人一樣地遺忘」……？透過三島式的考察，細膩、結構式地剖析女人心理，探究人性的矛盾與掙扎，是此篇小說*重要的主題。

「三島擅長以『社會事件』為材料，創作出『虛構』的作品。藉由與自己毫無瓜葛的故事，來吐露屬於自己的心境。簡直就像戴上面具的『假面的告白』，他需要這些人物，代替自己說出心聲。」──島內景二

「悲傷早已痊癒，朝子卻沒有勇氣承認。她開始嘗到絕望的味道，像是飢渴般期待著什麼……
一家人既沒有發瘋，也無人自殺。甚至沒生過病。幾乎可以確定那麼嚴重的悲劇幾乎未造成任何影響，什麼也沒發生就過去了。於是朝子無聊了。她開始等待某件事……」

畢生追求美學極*的三島由紀夫，在寫作方面也致力追求更高超、絢爛的寫作手法，甚至毫不諱言表示：「比起情趣，方法論更吸引我。」三島對於自己作品的如此高規格要求，淋漓盡致地實踐在早期短篇小說中。特別是在三島自歐洲遊歷半年之後，更加大膽在作品中融入多樣西方的技法實驗，是其創作生涯中重大的轉捩點。換言之，這些三島早期所累積的技術短篇，無疑是他日後作品朝向更有構造性、更多變、更有耐性的奠基，也是其邁向美學顛峰的*佳證據。

「與其透過第三者之手做出荒誕的臆測，我寧願親手處理早年的舊作。」─三島由紀夫

本書收錄11篇三島由紀夫親自集選的短篇小說，並親自撰文解說。在這些技術實驗短篇中，三島以精湛技巧描寫戰後少男少女的故事，表現日本戰後的社會、文化等種種樣貌，在秩序與崩壞間尋找平衡，被規範在秩序底下的人們心中那難抑遏制的飢渴。

作者简介

■作者簡介

三島由紀夫
本名平岡公威，1925年出生於東京。

1947年自東京大學法學部畢業，通過高等文官考試，隨後進入大藏省任職，隔年為了專心從事寫作而從大藏省離職，開始專職作家的生涯。

三島由紀夫在日本文壇擁有高度聲譽，其作品在西方世界也有崇高的評價，曾三度獲得諾貝爾文學獎提名，也是二戰結束之後西方譯介*多的日本作家之一。

三島對日本傳統的武士道精神深為讚賞，他對日本二次大戰後社會的西化和日本主權受制於美國非常不滿。1970年11月25日他帶領四名「盾會」成員前往陸上自衛隊東部總監部，挾持師團長要求軍事政變，期使自衛隊能轉變為正常的軍隊，但是卻乏人響應，因而切腹自殺以身殉道，走上了日本武士*絢爛的歸途。

主要著作有《假面的告白》、《金閣寺》、《潮騷》、《憂國》、《太陽與鐵》、《不道德教育講座》等。

■譯者簡介

劉子倩
政治大學社會系畢業，日本筑波大學社會學碩士，現為專職譯者。譯有小說、勵志、實用、藝術等多種書籍。

目录

1. 香菸

2. 春子

3. 馬戲團

4. 翼──哥提耶風格的故事

5. 離宮之松

6. 猜字謎

7. 盛夏之死

8. 煙火

9. 顯貴

10. 葡萄麵包

11. 雨中噴泉

解說 三島由紀夫

浮光掠影：日本明治维新后的社会变迁与精神探寻 一部描摹时代脉络、剖析个体困境的文学全景图 本书并非聚焦于个体心灵的极端探险或美学实践，而是致力于为读者构建一幅广阔而精微的日本明治维新至昭和初期社会图景。它通过一系列看似独立，实则相互关联的叙事片段，深入考察了现代化浪潮对日本传统社会结构、家庭伦理以及国民精神所产生的深刻冲击与重塑过程。全书的核心关切在于“变”与“不变”的张力，即在西方文明汹涌而至的背景下，日本如何在坚守其文化内核的同时，被迫或主动地进行痛苦的转型。 第一部：都市的崛起与旧秩序的崩塌 本书的开篇部分，将笔触集中于东京、大阪等新兴都市的急速扩张景象。这里不再是传统士绅阶层主导的宁静庭院，而是充斥着蒸汽机轰鸣、电车穿梭的喧嚣之地。我们跟随几组核心人物的命运线索，观察这种物质文明的进步如何对应着精神世界的失位。 一、 官僚机器中的异乡人： 选取一位从地方旧式教育体系中脱颖而出，进入新政府核心部门的年轻文官的故事。他熟稔西方法律与经济学，却在处理涉及地方宗族利益和传统习俗的案件时，感受到理论与现实的巨大鸿沟。他的日常是严谨的文书工作与无休止的社交应酬，而其内心却被一种无法言喻的疏离感所占据。他代表了第一代完全拥抱“文明开化”理念的知识分子，却发现自己成为了新体制下冰冷逻辑的执行者，与他所受教育中描绘的“崇高理想”渐行渐远。故事细致描绘了官僚体系内部的派系斗争，以及个人理想如何在体制的惯性中被磨平棱角的过程。 二、 艺伎与资本的交织： 另一条叙事线索深入探讨了花柳界的变迁。明治时代的“花柳界”是传统审美与新兴商业逻辑博弈的前沿阵地。我们聚焦于一位深谙传统歌谣与古典文学的资深艺伎，她目睹了她的同行如何从依附于藩主或富商的传统庇护模式，转变为需要迎合新崛起商人阶层——那些对艺术品味粗鄙，但资金雄厚的“新贵”——的消费模式。她试图以精湛的技艺维持一种“高雅”的体面，但最终发现，资本的逻辑正在吞噬一切精致的细节。这段描写着重于女性在社会转型期，其生存技能的价值体系是如何被颠覆的。 三、 铁路沿线的乡愁： 这一章节则聚焦于铁路的修建对乡村的冲击。铁路被视为现代化的象征，它以惊人的速度和效率连接了遥远的地域，但也无情地切断了数百年形成的地域文化和社群联系。一位世代居住在古老驿站周边的家庭，他们的生计完全依赖于旅人的停留和补给。当火车呼啸而过，不再停靠时，他们的世界随之停滞。故事通过对古老路标、庭院布局的细致描摹，展现了“速度”这一现代概念对“时间感”的彻底重构，以及由此带来的集体性的失落。 第二部：家庭的微观战场与性别的重塑 社会结构的变化必然投射到最微小的单位——家庭内部。本书的后半部分，将视线收回到室内，探究在“家父长制”受到西方“个体自由”思想挑战时，家庭内部产生的微妙裂痕。 一、 妻子的觉醒与教育： 探讨了“良妻贤母”教育方针的矛盾性。一位接受了开明教育、能流利使用英语、并对西方文学抱有热情的年轻女性，被嫁入一个恪守旧式大家族规矩的家庭。她试图将现代化的生活理念带入家庭，却不断与恪守传统的婆婆发生冲突。这种冲突不仅仅是代沟，更是两种世界观的碰撞：是应将精力奉献给家庭的“内室”，还是应该走出家门，参与到社会的新兴事业中去？书中细腻刻画了她从尝试融入到最终选择自我封闭的心理轨迹。 二、 帝国遗老的精神困境： 描绘了一位退役的帝国军官，他参与了甲午战争和日俄战争，被誉为“国之干城”。然而，和平年代的到来，让他失去了存在的意义。他无法适应和平时期的商业竞争和政治妥协，视之为“软弱”。他的精神世界停留在对武士道伦理的执着坚守上，却找不到可以实践这些准则的现实舞台。他与自己受西方教育的儿子之间的疏远，是两个时代精神断裂的缩影。他的挣扎并非对现代化的简单拒绝，而是一种对“意义”的迫切需求。 三、 传统手工艺的边缘化： 选取一个世代以制作精美漆器或和服的工匠家族。随着工业化生产的廉价仿制品涌入市场，他们引以为傲的手艺面临被遗忘的危险。工匠们试图在保持工艺的纯粹性与迎合大众快速消费的审美之间找到平衡点。故事深入探讨了“匠人精神”在面对效率和规模化生产时的脆弱性，以及手工艺人如何努力在“艺术”与“商品”的界限中寻找自我救赎。 总结： 本书通过上述多维度的叙事，构建了一个充满张力的时代侧面：一个在坚硬的外壳下，潜流着巨大不安与身份焦虑的日本社会。它关注的不是英雄式的决战，而是无数普通人在现代化洪流中，如何艰难地维系着各自的信仰、生活方式和对“美”的定义。全书的笔调沉静、克制，力求捕捉那些在宏大历史叙事中容易被忽略的、关于人性在社会结构重塑下的细腻反应。它是一部关于“适应”与“坚守”的社会观察集，而非对任何特定个人经历的极端化书写。

评分☆☆☆☆☆

Honestly, the title alone had me hooked. "盛夏之死" – it’s a title that immediately grabs you by the throat, doesn't it? It’s so potent, so loaded with imagery. You can almost feel the oppressive heat of a summer day, the wilting leaves, the buzzing insects, and then BAM – death. It's a juxtaposition that screams drama, a kind of theatrical inevitability. And then you add "失序美學的極致書寫" – that phrase alone is a thesis statement in itself. It’s not about some bland, polite kind of beauty; it’s about a beauty that arises from disorder, from things falling apart, from a deliberate dismantling of expectations. It suggests a kind of raw, unfiltered aesthetic, something that might make you uncomfortable but also deeply fascinated. When you see "三島由紀夫自選短篇集" attached to it, well, it’s like a seal of approval for that intensity. Mishima is a writer who never shied away from the darker, more complex aspects of the human condition. He explored desire, mortality, and the national identity with a passion that was both intoxicating and terrifying. Knowing these are his own curated selections implies they represent the stories he felt were most emblematic of his particular brand of "失序美學," his ultimate artistic statement on these themes. I’m bracing myself for stories that are beautiful in their brutality, eloquent in their despair, and utterly unforgettable.

评分☆☆☆☆☆

The very name of this book, "盛夏之死: 失序美學的極致書寫, 三島由紀夫自選短篇集," is a masterclass in evoking a specific mood and intellectual curiosity. "盛夏之死" immediately paints a picture of vibrant life reaching its zenith, only to be extinguished. It’s a potent image of beauty intertwined with ultimate finality, a theme that resonates deeply. Then comes "失序美學的極致書寫" – that’s where the real intrigue lies for me. It speaks of a beauty that isn't found in neat lines and perfect symmetry, but in the jagged edges, the unexpected turns, the very essence of things falling apart or defying conventional order. It hints at a literary style that is bold, perhaps even provocative, pushing the boundaries of what we consider aesthetically pleasing. And when you see that it's a collection of Mishima Yukio's own selected short stories, the anticipation reaches another level. Mishima is a towering figure known for his intense explorations of human psychology, his fascination with beauty, death, and the darker aspects of existence. His prose is legendary for its sharp elegance and its ability to shock and provoke thought. I imagine these stories, handpicked by the author himself, will be concentrated distillations of his core artistic philosophy, demonstrating his unique ability to find profound beauty and meaning within the seemingly chaotic or the tragically inevitable. It promises a literary experience that is both intellectually stimulating and emotionally resonant, a deep dive into the heart of his singular vision.

评分☆☆☆☆☆

这本书的名字本身就带着一种强烈的吸引力，"盛夏之死" evokes a vivid image, a stark contrast between the vibrancy of summer and the finality of death. When coupled with "失序美學的極致書寫" and "三島由紀夫自選短篇集," it immediately conjures a sense of high art, of deliberate artistic expression pushing boundaries. I’m particularly intrigued by the phrase "失序美學" – it suggests a beauty found not in order and harmony, but in chaos, in the breakdown of conventional structures. This concept, when applied to literature, hints at a narrative that might be unsettling, perhaps even disturbing, yet undeniably captivating. The fact that it's a selection of short stories by Mishima Yukio amplifies this anticipation. Mishima is known for his profound exploration of themes like beauty, death, nationalism, and the erotic, often with a distinctive, almost theatrical flair. His prose is renowned for its precision, its elegance, and its often shocking power. I imagine these chosen stories will offer a concentrated dose of his unique vision, showcasing the evolution or perhaps the consistent core of his literary philosophy. The "極致書寫" part of the title further promises an experience of masterful craftsmanship, where every word, every sentence, is honed to perfection, serving the overarching thematic intent. I'm eager to dive into this collection and see how Mishima navigates the intersection of ephemeral summer and the absolute finality of death, and how he constructs beauty from what might appear, at first glance, to be disarray. It feels like a promise of a challenging yet deeply rewarding literary journey.

评分☆☆☆☆☆

"盛夏之死: 失序美學的極致書寫, 三島由紀夫自選短篇集" is a title that doesn't whisper; it announces itself with a certain dramatic flair. The juxtaposition of "盛夏" and "死" is immediately arresting, conjuring images of peak vitality tragically cut short, a potent metaphor for so many aspects of life. What truly draws me in, however, is the concept of "失序美學." This isn't about finding beauty in the expected, the harmonious; it's about discovering it in the fragmentation, the breakdown, the deliberate subversion of order. It suggests a kind of aesthetic that is raw, perhaps even challenging, forcing the reader to confront beauty in unconventional forms. When you then see that this is a collection of Mishima Yukio's own chosen short stories, it elevates the anticipation considerably. Mishima is a writer who is not afraid to delve into the darkest corners of the human psyche, to explore themes of obsession, mortality, and the allure of the forbidden with an unparalleled intensity. His prose is often described as exquisite, even when dealing with disturbing subject matter. The "極致書寫" element further reinforces the idea of masterful artistry, suggesting that these stories are not just narratives but meticulously crafted pieces of literary art, each word carrying significant weight and contributing to a powerful, unified vision. I'm bracing myself for a collection that will be both beautiful and unsettling, a profound exploration of human experience through the lens of Mishima's unique and powerful aesthetic.

评分☆☆☆☆☆

This collection's title, "盛夏之死: 失序美學的極致書寫, 三島由紀夫自選短篇集," presents an immediate intellectual challenge and a profound aesthetic invitation. The phrase "盛夏之死" itself is a striking oxymoron, hinting at a narrative where the peak of vitality is inextricably linked to its ultimate cessation. This paradoxical notion suggests a deeper exploration of existence, perhaps delving into the ephemeral nature of beauty and the inevitability of decay. The addition of "失序美學" is particularly compelling. It implies a departure from traditional notions of beauty, proposing instead that aesthetic value can be found within fragmentation, dissonance, and even breakdown. This concept promises a literary experience that might be unconventional, even confrontational, challenging the reader's preconceived notions of what constitutes artistic merit. Coupled with the reputation of Mishima Yukio, a writer celebrated for his complex psychological portraits and his exploration of extreme themes, these chosen short stories are expected to be a powerful manifestation of this "disordered aesthetic." The term "極致書寫" further heightens expectations, suggesting a level of literary mastery where every element is meticulously crafted to achieve a singular artistic vision. I anticipate a collection that is not merely a narrative exercise but a profound statement on the human condition, rendered with an unparalleled precision and intensity that only Mishima could deliver.