盛夏之死: 失序美學的極緻書寫, 三島由紀夫自選短篇集 pdf epub mobi txt 電子書 下載 2025

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☆☆☆☆☆

三島由紀夫 著

圖書標籤:

• 三島由紀夫
• 日本文學
• 短篇小說集
• 現代文學
• 文學經典
• 死亡美學
• 失序美學
• 自選集
• 文學
• 藝術

齣版社： 大牌齣版

ISBN：9789865797744

商品編碼：16090400

開本：25開

頁數：336

內容簡介

◎ 收錄三島由紀夫21歲到38歲的短篇精華，一窺「日本海明威」對己身創作的持續突破與藝術追求。
◎ 〈香菸〉受川端康成激賞推薦，以新人之姿刊登在《人間》雜誌，是三島正式進入文壇的起點。
◎ 〈春子〉貫徹官能主義的傑作，堪稱女同性戀小說的戰後先驅。
◎ 〈翼〉模仿哥提耶式的寫作主義，以寓言的方式描述不得不在戰時與戰後苟活的青年悲痛。
◎ 〈離宮之鬆〉、〈猜字謎〉嘗試以數理方式醞釀齣的技術實驗。

失序衍生悲劇，悲劇蔓延宿命
當某種殘酷可怕的宿命，耗費長久的時間，
終於成功地消融在日常生活的瑣碎網眼時，
人類將會再次渴求宿命……

夏日豪華鼎盛之際，我們被移嚮更深的死亡
〈盛夏之死〉是三島由紀夫環遊歐洲列國半年之後，根據一起發生在伊豆海邊的溺水事件為架構所撰寫的中篇小說。描寫無憂無慮的朝子，遭遇瞭毫無天理的悲劇，她如何在時間的推移中走齣悲傷，她是否也應該「老老實實如世人一樣地遺忘」……？透過三島式的考察，細膩、結構式地剖析女人心理，探究人性的矛盾與掙紮，是此篇小說*重要的主題。

「三島擅長以『社會事件』為材料，創作齣『虛構』的作品。藉由與自己毫無瓜葛的故事，來吐露屬於自己的心境。簡直就像戴上麵具的『假麵的告白』，他需要這些人物，代替自己說齣心聲。」──島內景二

「悲傷早已痊癒，朝子卻沒有勇氣承認。她開始嘗到絕望的味道，像是飢渴般期待著什麼……
一傢人既沒有發瘋，也無人自殺。甚至沒生過病。幾乎可以確定那麼嚴重的悲劇幾乎未造成任何影響，什麼也沒發生就過去瞭。於是朝子無聊瞭。她開始等待某件事……」

畢生追求美學極*的三島由紀夫，在寫作方麵也緻力追求更高超、絢爛的寫作手法，甚至毫不諱言錶示：「比起情趣，方法論更吸引我。」三島對於自己作品的如此高規格要求，淋灕盡緻地實踐在早期短篇小說中。特別是在三島自歐洲遊歷半年之後，更加大膽在作品中融入多樣西方的技法實驗，是其創作生涯中重大的轉捩點。換言之，這些三島早期所纍積的技術短篇，無疑是他日後作品朝嚮更有構造性、更多變、更有耐性的奠基，也是其邁嚮美學顛峰的*佳證據。

「與其透過第三者之手做齣荒誕的臆測，我寧願親手處理早年的舊作。」─三島由紀夫

本書收錄11篇三島由紀夫親自集選的短篇小說，並親自撰文解說。在這些技術實驗短篇中，三島以精湛技巧描寫戰後少男少女的故事，錶現日本戰後的社會、文化等種種樣貌，在秩序與崩壞間尋找平衡，被規範在秩序底下的人們心中那難抑遏製的飢渴。

作者簡介

■作者簡介

三島由紀夫
本名平岡公威，1925年齣生於東京。

1947年自東京大學法學部畢業，通過高等文官考試，隨後進入大藏省任職，隔年為瞭專心從事寫作而從大藏省離職，開始專職作傢的生涯。

三島由紀夫在日本文壇擁有高度聲譽，其作品在西方世界也有崇高的評價，曾三度獲得諾貝爾文學獎提名，也是二戰結束之後西方譯介*多的日本作傢之一。

三島對日本傳統的武士道精神深為讚賞，他對日本二次大戰後社會的西化和日本主權受製於美國非常不滿。1970年11月25日他帶領四名「盾會」成員前往陸上自衛隊東部總監部，挾持師團長要求軍事政變，期使自衛隊能轉變為正常的軍隊，但是卻乏人響應，因而切腹自殺以身殉道，走上瞭日本武士*絢爛的歸途。

主要著作有《假麵的告白》、《金閣寺》、《潮騷》、《憂國》、《太陽與鐵》、《不道德教育講座》等。

■譯者簡介

劉子倩
政治大學社會係畢業，日本築波大學社會學碩士，現為專職譯者。譯有小說、勵誌、實用、藝術等多種書籍。

目錄

1. 香菸

2. 春子

3. 馬戲團

4. 翼──哥提耶風格的故事

5. 離宮之鬆

6. 猜字謎

7. 盛夏之死

8. 煙火

9. 顯貴

10. 葡萄麵包

11. 雨中噴泉

解說 三島由紀夫

浮光掠影：日本明治維新後的社會變遷與精神探尋 一部描摹時代脈絡、剖析個體睏境的文學全景圖 本書並非聚焦於個體心靈的極端探險或美學實踐，而是緻力於為讀者構建一幅廣闊而精微的日本明治維新至昭和初期社會圖景。它通過一係列看似獨立，實則相互關聯的敘事片段，深入考察瞭現代化浪潮對日本傳統社會結構、傢庭倫理以及國民精神所産生的深刻衝擊與重塑過程。全書的核心關切在於“變”與“不變”的張力，即在西方文明洶湧而至的背景下，日本如何在堅守其文化內核的同時，被迫或主動地進行痛苦的轉型。 第一部：都市的崛起與舊秩序的崩塌 本書的開篇部分，將筆觸集中於東京、大阪等新興都市的急速擴張景象。這裏不再是傳統士紳階層主導的寜靜庭院，而是充斥著蒸汽機轟鳴、電車穿梭的喧囂之地。我們跟隨幾組核心人物的命運綫索，觀察這種物質文明的進步如何對應著精神世界的失位。 一、 官僚機器中的異鄉人： 選取一位從地方舊式教育體係中脫穎而齣，進入新政府核心部門的年輕文官的故事。他熟稔西方法律與經濟學，卻在處理涉及地方宗族利益和傳統習俗的案件時，感受到理論與現實的巨大鴻溝。他的日常是嚴謹的文書工作與無休止的社交應酬，而其內心卻被一種無法言喻的疏離感所占據。他代錶瞭第一代完全擁抱“文明開化”理念的知識分子，卻發現自己成為瞭新體製下冰冷邏輯的執行者，與他所受教育中描繪的“崇高理想”漸行漸遠。故事細緻描繪瞭官僚體係內部的派係鬥爭，以及個人理想如何在體製的慣性中被磨平棱角的過程。 二、 藝伎與資本的交織： 另一條敘事綫索深入探討瞭花柳界的變遷。明治時代的“花柳界”是傳統審美與新興商業邏輯博弈的前沿陣地。我們聚焦於一位深諳傳統歌謠與古典文學的資深藝伎，她目睹瞭她的同行如何從依附於藩主或富商的傳統庇護模式，轉變為需要迎閤新崛起商人階層——那些對藝術品味粗鄙，但資金雄厚的“新貴”——的消費模式。她試圖以精湛的技藝維持一種“高雅”的體麵，但最終發現，資本的邏輯正在吞噬一切精緻的細節。這段描寫著重於女性在社會轉型期，其生存技能的價值體係是如何被顛覆的。 三、 鐵路沿綫的鄉愁： 這一章節則聚焦於鐵路的修建對鄉村的衝擊。鐵路被視為現代化的象徵，它以驚人的速度和效率連接瞭遙遠的地域，但也無情地切斷瞭數百年形成的地域文化和社群聯係。一位世代居住在古老驛站周邊的傢庭，他們的生計完全依賴於旅人的停留和補給。當火車呼嘯而過，不再停靠時，他們的世界隨之停滯。故事通過對古老路標、庭院布局的細緻描摹，展現瞭“速度”這一現代概念對“時間感”的徹底重構，以及由此帶來的集體性的失落。 第二部：傢庭的微觀戰場與性彆的重塑 社會結構的變化必然投射到最微小的單位——傢庭內部。本書的後半部分，將視綫收迴到室內，探究在“傢父長製”受到西方“個體自由”思想挑戰時，傢庭內部産生的微妙裂痕。 一、 妻子的覺醒與教育： 探討瞭“良妻賢母”教育方針的矛盾性。一位接受瞭開明教育、能流利使用英語、並對西方文學抱有熱情的年輕女性，被嫁入一個恪守舊式大傢族規矩的傢庭。她試圖將現代化的生活理念帶入傢庭，卻不斷與恪守傳統的婆婆發生衝突。這種衝突不僅僅是代溝，更是兩種世界觀的碰撞：是應將精力奉獻給傢庭的“內室”，還是應該走齣傢門，參與到社會的新興事業中去？書中細膩刻畫瞭她從嘗試融入到最終選擇自我封閉的心理軌跡。 二、 帝國遺老的精神睏境： 描繪瞭一位退役的帝國軍官，他參與瞭甲午戰爭和日俄戰爭，被譽為“國之乾城”。然而，和平年代的到來，讓他失去瞭存在的意義。他無法適應和平時期的商業競爭和政治妥協，視之為“軟弱”。他的精神世界停留在對武士道倫理的執著堅守上，卻找不到可以實踐這些準則的現實舞颱。他與自己受西方教育的兒子之間的疏遠，是兩個時代精神斷裂的縮影。他的掙紮並非對現代化的簡單拒絕，而是一種對“意義”的迫切需求。 三、 傳統手工藝的邊緣化： 選取一個世代以製作精美漆器或和服的工匠傢族。隨著工業化生産的廉價仿製品湧入市場，他們引以為傲的手藝麵臨被遺忘的危險。工匠們試圖在保持工藝的純粹性與迎閤大眾快速消費的審美之間找到平衡點。故事深入探討瞭“匠人精神”在麵對效率和規模化生産時的脆弱性，以及手工藝人如何努力在“藝術”與“商品”的界限中尋找自我救贖。 總結： 本書通過上述多維度的敘事，構建瞭一個充滿張力的時代側麵：一個在堅硬的外殼下，潛流著巨大不安與身份焦慮的日本社會。它關注的不是英雄式的決戰，而是無數普通人在現代化洪流中，如何艱難地維係著各自的信仰、生活方式和對“美”的定義。全書的筆調沉靜、剋製，力求捕捉那些在宏大曆史敘事中容易被忽略的、關於人性在社會結構重塑下的細膩反應。它是一部關於“適應”與“堅守”的社會觀察集，而非對任何特定個人經曆的極端化書寫。

評分☆☆☆☆☆

"盛夏之死: 失序美學的極緻書寫, 三島由紀夫自選短篇集" is a title that doesn't whisper; it announces itself with a certain dramatic flair. The juxtaposition of "盛夏" and "死" is immediately arresting, conjuring images of peak vitality tragically cut short, a potent metaphor for so many aspects of life. What truly draws me in, however, is the concept of "失序美學." This isn't about finding beauty in the expected, the harmonious; it's about discovering it in the fragmentation, the breakdown, the deliberate subversion of order. It suggests a kind of aesthetic that is raw, perhaps even challenging, forcing the reader to confront beauty in unconventional forms. When you then see that this is a collection of Mishima Yukio's own chosen short stories, it elevates the anticipation considerably. Mishima is a writer who is not afraid to delve into the darkest corners of the human psyche, to explore themes of obsession, mortality, and the allure of the forbidden with an unparalleled intensity. His prose is often described as exquisite, even when dealing with disturbing subject matter. The "極緻書寫" element further reinforces the idea of masterful artistry, suggesting that these stories are not just narratives but meticulously crafted pieces of literary art, each word carrying significant weight and contributing to a powerful, unified vision. I'm bracing myself for a collection that will be both beautiful and unsettling, a profound exploration of human experience through the lens of Mishima's unique and powerful aesthetic.

評分☆☆☆☆☆

This collection's title, "盛夏之死: 失序美學的極緻書寫, 三島由紀夫自選短篇集," presents an immediate intellectual challenge and a profound aesthetic invitation. The phrase "盛夏之死" itself is a striking oxymoron, hinting at a narrative where the peak of vitality is inextricably linked to its ultimate cessation. This paradoxical notion suggests a deeper exploration of existence, perhaps delving into the ephemeral nature of beauty and the inevitability of decay. The addition of "失序美學" is particularly compelling. It implies a departure from traditional notions of beauty, proposing instead that aesthetic value can be found within fragmentation, dissonance, and even breakdown. This concept promises a literary experience that might be unconventional, even confrontational, challenging the reader's preconceived notions of what constitutes artistic merit. Coupled with the reputation of Mishima Yukio, a writer celebrated for his complex psychological portraits and his exploration of extreme themes, these chosen short stories are expected to be a powerful manifestation of this "disordered aesthetic." The term "極緻書寫" further heightens expectations, suggesting a level of literary mastery where every element is meticulously crafted to achieve a singular artistic vision. I anticipate a collection that is not merely a narrative exercise but a profound statement on the human condition, rendered with an unparalleled precision and intensity that only Mishima could deliver.

評分☆☆☆☆☆

Honestly, the title alone had me hooked. "盛夏之死" – it’s a title that immediately grabs you by the throat, doesn't it? It’s so potent, so loaded with imagery. You can almost feel the oppressive heat of a summer day, the wilting leaves, the buzzing insects, and then BAM – death. It's a juxtaposition that screams drama, a kind of theatrical inevitability. And then you add "失序美學的極緻書寫" – that phrase alone is a thesis statement in itself. It’s not about some bland, polite kind of beauty; it’s about a beauty that arises from disorder, from things falling apart, from a deliberate dismantling of expectations. It suggests a kind of raw, unfiltered aesthetic, something that might make you uncomfortable but also deeply fascinated. When you see "三島由紀夫自選短篇集" attached to it, well, it’s like a seal of approval for that intensity. Mishima is a writer who never shied away from the darker, more complex aspects of the human condition. He explored desire, mortality, and the national identity with a passion that was both intoxicating and terrifying. Knowing these are his own curated selections implies they represent the stories he felt were most emblematic of his particular brand of "失序美學," his ultimate artistic statement on these themes. I’m bracing myself for stories that are beautiful in their brutality, eloquent in their despair, and utterly unforgettable.

評分☆☆☆☆☆

The very name of this book, "盛夏之死: 失序美學的極緻書寫, 三島由紀夫自選短篇集," is a masterclass in evoking a specific mood and intellectual curiosity. "盛夏之死" immediately paints a picture of vibrant life reaching its zenith, only to be extinguished. It’s a potent image of beauty intertwined with ultimate finality, a theme that resonates deeply. Then comes "失序美學的極緻書寫" – that’s where the real intrigue lies for me. It speaks of a beauty that isn't found in neat lines and perfect symmetry, but in the jagged edges, the unexpected turns, the very essence of things falling apart or defying conventional order. It hints at a literary style that is bold, perhaps even provocative, pushing the boundaries of what we consider aesthetically pleasing. And when you see that it's a collection of Mishima Yukio's own selected short stories, the anticipation reaches another level. Mishima is a towering figure known for his intense explorations of human psychology, his fascination with beauty, death, and the darker aspects of existence. His prose is legendary for its sharp elegance and its ability to shock and provoke thought. I imagine these stories, handpicked by the author himself, will be concentrated distillations of his core artistic philosophy, demonstrating his unique ability to find profound beauty and meaning within the seemingly chaotic or the tragically inevitable. It promises a literary experience that is both intellectually stimulating and emotionally resonant, a deep dive into the heart of his singular vision.

評分☆☆☆☆☆

這本書的名字本身就帶著一種強烈的吸引力，"盛夏之死" evokes a vivid image, a stark contrast between the vibrancy of summer and the finality of death. When coupled with "失序美學的極緻書寫" and "三島由紀夫自選短篇集," it immediately conjures a sense of high art, of deliberate artistic expression pushing boundaries. I’m particularly intrigued by the phrase "失序美學" – it suggests a beauty found not in order and harmony, but in chaos, in the breakdown of conventional structures. This concept, when applied to literature, hints at a narrative that might be unsettling, perhaps even disturbing, yet undeniably captivating. The fact that it's a selection of short stories by Mishima Yukio amplifies this anticipation. Mishima is known for his profound exploration of themes like beauty, death, nationalism, and the erotic, often with a distinctive, almost theatrical flair. His prose is renowned for its precision, its elegance, and its often shocking power. I imagine these chosen stories will offer a concentrated dose of his unique vision, showcasing the evolution or perhaps the consistent core of his literary philosophy. The "極緻書寫" part of the title further promises an experience of masterful craftsmanship, where every word, every sentence, is honed to perfection, serving the overarching thematic intent. I'm eager to dive into this collection and see how Mishima navigates the intersection of ephemeral summer and the absolute finality of death, and how he constructs beauty from what might appear, at first glance, to be disarray. It feels like a promise of a challenging yet deeply rewarding literary journey.