"All the things that children loved about A Light in the Attic and Where the Sidewalk Ends can be found in abundance in this eclectic volume, Silverstein's first book of poetry in 20 years. By turns cheeky and clever and often darkly subversive, the poems are vintage Silverstein, presented in a black-and-white format that duplicates his earlier books. Like Roald Dahl, Silverstein's cartoons and poems are humorously seditious, often giving voice to a child's desire to be empowered or to retaliate for perceived injustice: one child character wields a ""Remote-a-Dad"" that will instantly control his father, and another dreams of his teachers becoming his students so that when they talk or laugh in class, he can ""pinch 'em 'til they [cry]."" The poems focus on the unexpected-a piglet receives a ""people-back ride"" and Medusa's snake-hair argues about whether to be coifed in cornrows or bangs. Sometimes the art traffics in gross-out, as when William Tell gets an arrow through his forehead or a cartoon character sticks carrots in his sockets because he's heard that carrots are good for his eyes. Although some parents and teachers may cringe at such touches, Silverstein's anti-establishment humor percolates as he lampoons conventions (the stork not only brings babies but ""comes and gets the older folks/ When it's their time to go""), or discards decorum (a small gardener zips up his pants after watering the plants ""that way""). No matter that the author's rhythms and rhymes can be sloppy, or that his annoying insistence on leavin' off the endin' to his ING's seems artificially folksy, Silverstein's ability to see the world from, as he says, ""a different angle"" will undoubtedly earn this book a wide audience. All ages.""
--Publishers Weekly
""Grade 3 Up?Fifteen years after A Light in the Attic (1981) and 22 years after Where the Sidewalk Ends (1974, both HarperCollins), Silverstein, whose poetry has achieved cultlike popularity, offers readers another collection. While bodily functions seem to be the source of humor in more poems than in the earlier titles, and while there are fewer wonderful images here, the child appeal is as strong as ever. Once again, Silverstein's pen-and-ink drawings are the perfect accompaniment to the poems, always extending and often explaining the words. The book abounds in energetic wordplay (""I saw an ol' gnome/Take a gknock at a gnat/Who was gnibbling the gnose of his gnu"") and childlike silliness (""I only ate one drumstick/At the picnic dance this summer...But everybody's mad at me,/Especially the drummer""). Silverstein writes wonderful nonsense verse, but he has used rhyme and rhythm to greater effect in the past. There is much to love in Falling Up, but it has its ups and downs."
--School Library Journal
对于这个年龄段(6-8岁)的阅读材料来说,语言的节奏感和韵律美是检验其是否为“佳作”的重要标准之一。这本书的文字虽然看起来简洁,但读起来却有一种非常独特的音乐性。我尝试用不同的声调和语速来朗读,发现即便是简单的句子,也蕴含着一种恰到好处的停顿和强调,这极大地提升了阅读体验。它不是那种强行押韵的、读起来很别扭的儿歌体,而是一种更自然、更贴合人物心境的语言流动。我甚至发现,当我用一种比较舒缓的语调读的时候,我女儿的呼吸和心率似乎都会跟着慢下来,这在睡前阅读环节,效果简直是立竿见影。这种对语言节奏的精准把握,显示出作者对儿童心理和听觉敏感度的深刻理解,使得每一次的亲子共读时间,都变成了一场小型、私密的听觉盛宴。
评分这本精装书的设计真是让人眼前一亮!封面那种鲜活的色彩搭配,一看就知道是给这个年龄段的孩子精心挑选的。我女儿(她正好是七岁)拿到手的时候,那种迫不及待想翻开的样子,简直比我拆快递还激动。书页的纸质摸起来非常厚实,边缘处理得很圆滑,这点我特别放心,毕竟这个年龄段的孩子阅读时难免会有些“热情奔放”的小动作,质量过硬能经受住考验。更不用说插画的风格了,简直是教科书级别的童趣!那些线条的流畅度和人物表情的生动性,让人感觉每一个画面都在对孩子说话。我试着给她读了开头几页,发现文字的排版也很舒服,字号大小适中,间距也处理得恰到好处,即便是刚开始独立阅读的孩子,看起来也不会感到吃力。整体来看,光是作为一件能摆在书架上欣赏的艺术品,它就已经值回票价了。我特别欣赏出版社在实体书制作上投入的这份匠心,现在的很多童书为了追求速度和成本,在细节上实在是不够讲究,但这一本,明显是想让孩子留下美好的触感记忆。
评分从一个更宏观的角度来看待这本书,我必须称赞它在主题深度上的克制与巧妙。在看似轻松愉快的图文交织中,它似乎触及了一些关于“接纳不完美”或者“重新定义成功”的哲学思考。这种思考不是用大道理灌输给孩子的,而是通过故事中角色的行为和最终的结果自然而然地展现出来。我观察到,我的孩子在读到某一特定情节时,会陷入长时间的沉思,这表明书中的信息已经穿透了表层的故事情节,进入了她对自我认知的构建阶段。很多时候,我们担心孩子接触到太“深刻”的主题会消化不良,但这本书的叙事结构就像一个完美的漏斗,将复杂的主题层层过滤,最终以最适合孩子理解和吸收的方式呈现出来。它教会孩子,生活本身就是一场充满意外和反转的旅程,而关键在于我们如何调整自己的姿态去面对这些“摔倒”的瞬间。
评分说实话,我一直很关注那些能够激发孩子内在创造力和想象力的读物,而这本书在这一点上,表现得尤为出色。它好像没有采用那种非常直白、说教式的叙事方法,反而提供了一个非常广阔的想象空间让小读者自己去填充。我观察我的孩子阅读时的状态,她不是被动地接收故事信息,而是在不断地提问、猜测接下来的发展,甚至时不时地会停下来,对照着图画,对着书本喃喃自语。这种“主动参与感”太重要了,它能有效地将阅读从一个消磨时间的活动,变成一个积极的思维建构过程。我还注意到,故事情节中似乎有一些非常巧妙的、关于视角转换的设置,这对于培养孩子的同理心和多角度看待问题的能力,简直是神助攻。我偷偷瞄了几页,感觉作者在处理一些看似简单的情节时,埋藏了成年人都能会心一笑的幽默感,这种“双重叙事”的魅力,使得这本书也成为了我本人在睡前时光的“偷悦”来源。
评分我是一个非常注重孩子情绪教育的家长,很多市面上的童书内容要么过于甜腻,要么就是只关注快乐本身,缺乏对复杂情感的探讨。然而,这本精装书的叙事基调,给我带来了一种全新的感受。它处理问题的方式非常细腻和温柔,似乎在探讨一些孩子在成长过程中必然会遭遇的那些“小挫折”或者“不被理解”的时刻。我感觉它不是在告诉孩子“你应该怎么做”,而是在提供一个安全的、被保护的环境,让孩子的情绪得以投射和释放。读完一章后,我发现我的孩子变得比平时更愿意倾诉她白天在幼儿园遇到的一些小矛盾,她似乎通过书中的角色,找到了一个“出口”来梳理自己的感受。这种潜移默化的心理疏导功能,是我挑选童书时最看重的“隐形价值”。好的儿童文学,理应是孩子心灵成长的伙伴,而这本书,无疑做到了这一点,它提供了一种内在的力量感,而不是外在的矫饰。
评分全场特惠,在优惠基础上总价半折抢购到的。只是偶没有怎么看,需要慢慢品味吧
评分爸妈网上推荐的好书!
评分没买引进版,这种还是看原汁原味的好些。
评分很好很好,跟我想象的一样,支持京东!
评分5年前就买过中文引进版的,孩子很喜欢,有了原版现在也看看,学习英语!
评分没买引进版,这种还是看原汁原味的好些。
评分活动给力,好。。。。。
评分推荐这种还是原版的好……
评分要不是100-50力度这么大谁会一个月买这多书啊,用麻袋装书的京东你们伤不起啊!
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