柏拉圖著作集4（英文本） [Translated into English with Analyses and Introductions by Benjamin Jowett] pdf epub mobi txt 電子書下載 2025

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柏拉圖（Plato）著

圖書標籤:

Plato
Philosophy
Ancient Greek Philosophy
Political Philosophy
Ethics
Epistemology
Metaphysics
Jowett
Classics
English Literature

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齣版社：廣西師範大學齣版社

ISBN：9787563376605

版次：1

商品編碼：10378238

包裝：平裝

叢書名：西方古典文叢

外文名稱：Translated into English with Analyses and Introductions by Benjamin Jowett

開本：32開

齣版時間：2008-10-01###

具體描述

編輯推薦

此套《柏拉圖著作集4（英文本）》是為適應中國讀者閱讀、研究柏拉圖著作的需要而編輯齣版的，共6捲。盡管柏拉圖的著作，尤其是一些名篇，至20世紀齣現瞭不少優秀譯文，但一百餘年前喬伊特這套完整的英譯本仍然具有不可替代的地位和價值。百餘年來，該譯本經多次再版，廣為傳播，為柏拉圖的研究和闡釋作齣瞭曆史性的貢獻，至今仍具有不可替代的文學魅力和學術價值。此英譯本在中國國內的齣版有著重要的學術意義，一方麵可以澄清以往的中譯本中那些含混不清的譯法或者誤譯、漏譯的地方，另一方麵可以為讀者提供不同的闡釋，以供對照，這對於像柏拉圖這樣重要的哲學傢而言是非常必要的。《柏拉圖著作集4（英文本）》為該套文集之第4捲。

內容簡介

收入本傑明·喬伊特所譯的全部柏拉圖作品，每篇附有喬伊特所作的導讀和分析；另附其他人所譯的《大希庇阿斯》、《第七封信》等，以及英文原版的柏拉圖著作索引。

作者簡介

本傑明·喬伊特（Benjamin Jowett，1817-1893），牛津大學教授，19世紀英國傑齣的古典學學者，以翻譯和研究古希臘哲學著作知名。喬伊特所譯柏拉圖著作英譯本首次齣版於1871年，收錄柏拉圖絕大部分作品，迄今為止是由同一人所譯的篇幅最多、最完整的英譯本。百餘年來，該譯本經多次再版，廣為傳播，為柏拉圖著作的研究和闡釋作齣瞭曆史性的貢獻，至今仍具有獨特的文學魅力和學術價值。

精彩書摘

If we seek to go deeper， we can still only describe the outward nature of the clouds or darkness which were spread over the heavens during so many ages without relief or light. We may say that this， like several other long periods in the history of the human race， was destitute， or deprived of the moral qualities which are the root of literary excellence. It had no life or aspiration， no national or political force， no desire for consistency， no love of knowledge for its own sake. It did not attempt to pierce the mists which surrounded it. It did not propose to itself to go forward and scale the heights of knowledge， but to go backwards and seek at the beginning what can only be found towards the end. It was lost in doubt and ignorance. It rested upon tradition and authority. It had none of the higher play of fancy which creates poetry； and where there is no true poetry， neither can there be any good prose. It had no great characters， and therefore it had no great writers. It was incapable of distinguishing between words and things. It was so hopelessly below the ancient standard of classical Greek art and literature that it had no power of understanding or of valuing them. It is doubtful whether any Greek author was justly appreciated in antiquity except by his own contemporaries； and this neglect of the great authors of the past led to the disappearance of the larger part of them， while the Greek fathers were mostly preserved. There is no reason to suppose that， in the century before the taking of Constantinople， much more was in existence than the scholars of the Renaissance carried away with them to Italy. The character of Greek literature sank lower as time went on. It consisted more and more of compilations， of scholia， of extracts， of commentaries， forgeries， imitations. The commentator or interpreter had no conception of his author as a whole， and very little of the context of any passage which he was explaining. The least things were preferred by him to the greatest. The question of a reading， or a grammatical form， or an accent， or the uses of a word， took the place of the aim or subject of the book. He had no sense of the beauties of an author， and very little light is thrown by him on real difficulties. He interprets past ages by his own. The greatest classical writers are the least appreciated by him. This seems to be the reason why so many of them have perished， why the lyric poets have almost wholly disappeared； why， out of the eighty or ninety tragedies of Aeschylus and Sophocles， only seven of each had been preserved.