Judy Blume's Fudge Set 英文原版 [平装] [7岁及以上] pdf epub mobi txt 电子书 下载 2025

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☆☆☆☆☆

Judy Blume（朱迪·布鲁姆） 著

图书标签:

• Judy Blume
• Fudge
• 儿童文学
• 英文原版
• 平装书
• 7岁以上
• 家庭故事
• 成长小说
• 幽默
• 经典儿童读物

出版社： Penguin US

ISBN：9780142409060

商品编码：19043823

包装：平装

出版时间：2007-10-04

页数：848

正文语种：英文

商品尺寸：20.07x13.21x6.35cm;0.73kg

内容简介

Fans young and old will laugh out loud at the irrepressible wit of Peter Hatcher, the hilarious antics of mischievous Fudge, and the unbreakable confidence of know-it-all Sheila Tubman in Judy Blume's five Fudge books, Tales of a Fourth Grade Nothing, Otherwise Known as Sheila the Great, Superfudge, Fudge-a-Mania, and Double Fudge. Now all packaged together for the very first time, this collection of Fudge books will please lifelong fans and entice a whole new generation of Blume readers.

作者简介

Name: Judy Blume Biography Before Judy Blume, there may have been a handful of books that spoke to issues teens could identify with; but very few were getting down to nitty-gritty stuff like menstruation, masturbation, parents divorcing, being half-Jewish, or deciding to have sex. Now, these were some issues that adolescents could dig into, and Blume s ability to address them realistically and responsibly has made her one of the most popular and most banned authors for young adults. Are You There God? It s Me, Margaret, published in 1970, was Blume s third book and the one that established her fan base. Drawing on some of the same things she faced as a sixth grader growing up in Elizabeth, New Jersey, Blume created a sympathetic, first-person portrait of a girl whose family moves to the suburbs as she struggles with puberty and religion. In subsequent classics such as Then Again, Maybe I Won t, Deenie, Blubber, and Tiger Eyes, Blume wrote about the pain of being different, falling in love, and figuring out one's identity. Usually written in a confessional/diary style, Blume s books feel like letters from friends who just happen to be going through a very interesting version of the same tortures suffered by their audience. Blume has also accumulated a great following among the 12-and-under set with her Fudge series, centering on the lives of preteen Peter Hatcher and his hilariously troublesome younger brother, Farley (a.k.a. Fudge). Blume s books in this category are particularly adept at portraying the travails of siblings, making both sides sympathetic. Her 2002 entry, Double Fudge, takes a somewhat surreal turn, providing the Hatchers with a doppelganger of Fudge when they meet some distant relatives on a trip. Blume has also had success writing for adults, again applying her ability to turn some of her own sensations into compelling stories. Wifey in 1978 was the raunchy chronicle of a bored suburban housewife s infidelities, both real and imagined. She followed this up five years later with Smart Women, a novel about friendship between two divorced women living in Colorado; and 1998 s Summer Sisters, also about two female friends. Blume has said she continually struggles with her writing, often sure that each book will be the last, that she ll never get another idea. She keeps proving herself wrong with more than 20 books to her credit; hopefully she will continue to do so. read more Name: Judy Blume Current Home: New York's Upper East Side, Key West, and Martha's Vineyard Date of Birth: February 12, 1938 Place of Birth: Elizabeth, New Jersey Education: B.S. in education, New York University, 1961 Awards: Margaret A. Edwards Award for Lifetime Achievement from the American Library Association, 1996 *Judy Blume'sofficial web site Biography Before Judy Blume, there may have been a handful of books that spoke to issues teens could identify with; but very few were getting down to nitty-gritty stuff like menstruation, masturbation, parents divorcing, being half-Jewish, or deciding to have sex. Now, these were some issues that adolescents could dig into, and Blume s ability to address them realistically and responsibly has made her one of the most popular and most banned authors for young adults. Are You There God? It s Me, Margaret, published in 1970, was Blume s third book and the one that established her fan base. Drawing on some of the same things she faced as a sixth grader growing up in Elizabeth, New Jersey, Blume created a sympathetic, first-person portrait of a girl whose family moves to the suburbs as she struggles with puberty and religion. In subsequent classics such as Then Again, Maybe I Won t, Deenie, Blubber, and Tiger Eyes, Blume wrote about the pain of being different, falling in love, and figuring out one's identity. Usually written in a confessional/diary style, Blume s books feel like letters from friends who just happen to be going through a very interesting version of the same tortures suffered by their audience. Blume has also accumulated a great following among the 12-and-under set with her Fudge series, centering on the lives of preteen Peter Hatcher and his hilariously troublesome younger brother, Farley (a.k.a. Fudge). Blume s books in this category are particularly adept at portraying the travails of siblings, making both sides sympathetic. Her 2002 entry, Double Fudge, takes a somewhat surreal turn, providing the Hatchers with a doppelganger of Fudge when they meet some distant relatives on a trip. Blume has also had success writing for adults, again applying her ability to turn some of her own sensations into compelling stories. Wifey in 1978 was the raunchy chronicle of a bored suburban housewife s infidelities, both real and imagined. She followed this up five years later with Smart Women, a novel about friendship between two divorced women living in Colorado; and 1998 s Summer Sisters, also about two female friends. Blume has said she continually struggles with her writing, often sure that each book will be the last, that she ll never get another idea. She keeps proving herself wrong with more than 20 books to her credit; hopefully she will continue to do so. Good To Know Tales of a Fourth Grade Nothing was inspired by an article given to Blume by her babysitter about a toddler who swallowed a small pet turtle. She wrote a picture book introducing Fudge (based on her own then-toddler son), the turtle, and older brother Peter; but it was rejected. A few years later, E. P. Dutton editor Ann Durell suggested that Blume turn the story into a longer book about the Hatcher family. Blume did, and the Fudge legacy was born. Blume is not an author without conflict about her station in life. She says on her web site that, as part of her "fantasy about having a regular job," she has a morning routine that involves getting fully dressed and starting at 9 a.m. She has also getting out of writing altogether."After I had written more than ten books I thought seriously about quitting," she writes. "I felt I couldn't take the loneliness anymore. I thought I would rather be anything but a writer. But I've finally come to appreciate the freedom of writing. I accept the fact that it's hard and solitary work." Blume's book about divorce, It's Not the End of the World, proved ultimately to be closer to her own experience than she originally imagined. Her own marriage was in trouble at the time, but she couldn't quite face it. "In the hope that it would get better I dedicated this book to my husband," she writes in an essay. "But a few years later, we, too, divorced. It was hard on all of us, more painful than I could have imagined, but somehow we muddled through and it wasn't the end of any of our worlds, though on some days it might have felt like it." Her most autobiographical book is Starring Sally J. Friedman as Herself, says Blume. "Sally is the kind of kid I was at ten," Blume says on her web site. Blume keeps setting Fudge aside, readers keep bringing him back. The sequel Superfudge was written after tons of fans wrote in asking for more of Farley Hatcher; again more begging led to Fudge-a-Mania ten years later. Blume planned never to write about Fudge again, but grandson Elliott was a persistent pesterer (just like Fudge), and got his way with 2002's Double Fudge. Feature Interviews From the September/October 2002 issue of Book magazine When Judy Blume wrote Tales of a Fourth Grade Nothing, her first book in the Fudge series, in 1972, she was a 34-year-old fledgling author with two young children. Thirty years later, Fudge, the tempestuous toddler based on Blume's son, is only a couple of years older -- while Blume is a grandmother with a household name. This time around, Blume says, she wrote about Fudge for her daughter's 10-year-old son, Elliot, who has been begging her for another Fudge book since he was seven. She made him work for Double Fudge by taking him to the National Zoo in Washington, D.C. There, they were initiated into the unofficial Panda Poop Club, which entails holding and sniffing the poop of a genuine panda. "It was so totally pleasant," she says. "It just looked like a poop, but it smells like grass." Of course, this is necessary research -- Double Fudge includes a panda poop scene -- for an author who has always displayed a knack for knowing exactly what kids are interested in. (The new book has a couple of other scenes that play to a toddler's affection for discussing bathroom habits. "They love it!" she says.) Anyone who has ever read anything by Blume -- including Are You There God? It's Me, Margaret; Forever; Blubber; and Deenie -- knows she doesn't shy away from topics that make most adults uncomfortable. It's not that she goes for shock value; she just writes the truth about taboo subjects. She's written about menstruation, masturbation and teenage sex. She's fought censorship along the way, but the truth has paid off: Blume's books have sold more than 75 million copies and have been translated into more than 20 languages. Born and raised in Elizabeth, New Jersey, Judy Sussman attended New York University, where she earned a degree in education and married a young lawyer, John Blume, her junior year. Soon thereafter, she had two children: a girl, Randy, in 1961, and a boy, Larry, in 1964. After enrolling in a writing class at NYU, the then-housewife wrote a few magazine articles before publishing her first book, The One in the Middle Is the Green Kangaroo, in 1969. Although she wrote an edgy teen book dealing with racism in 1970 (Iggie's House), it wasn't until the publication of Are You There God? It's Me, Margaret later that year that her name began to register among readers and critics. "I think that's the one that made me think I really am a writer," she says. Although that book, about a girl's struggle with puberty, has become something of a bible for girls, Blume says she never meant for it to be anything but a fictional chronicle of her own experiences. "I was really writing about the kind of kid I was in sixth grade, the late developer." Over the years, Blume published many more books for children and teens, as well as several for adults. Three years after she divorced her husband in 1975, she wrote her first adult book, Wifey, about a frustrated young housewife. (In 1987 she got remarried to George Cooper, a nonfiction writer.) In 1998 she published Summer Sisters, a novel about a long-standing friendship between childhood friends. Soon after she told Cooper that Summer Sisters would "be the end of a wonderful career," the book shot to the top of bestseller lists. In her lush Upper East Side penthouse (her third home in addition to ones in Key West and Martha's Vineyard), the lithe Blume talks about her upcoming Fudge tour. She says her publicist asked her to send a video of herself to the bookstores. "And I said, 'What -- to show them I'm still living? So people won't recoil in horror from looking at me?' Please. It's so weird, this age thing," she says. "You can write until you drop." She's not sure she will, though. "I always say every book is my last. It's like having a baby," Blume says. "But two years later, you're thinking, 'I can do this again.' "

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前言/序言

艾米莉的秘密日记：夏日里的成长、友谊与小小的冒险 作者： 莎拉·詹宁斯 (Sarah Jennings) 装帧： 平装 适合年龄： 8岁及以上读者 --- 简介： 在那个阳光总是比别处来得更热烈、蝉鸣声声不绝于耳的夏天，十岁的艾米莉·卡特琳（Emily Carter）发现自己正站在一个充满未知与挑战的十字路口。她不是在处理什么惊天动地的危机，而是在处理那些只属于“即将进入高年级的小大人”的烦恼：友谊的微妙变化、对未知事物的强烈好奇心，以及如何在一个总是把她当成“小妹妹”的家庭中，争取到属于自己的独立空间。 《艾米莉的秘密日记》并非聚焦于那些宏大的史诗故事，而是深入描绘了童年向少年过渡时期，那些细微却又影响深远的内心波动。故事围绕着艾米莉那本锁着的小小日记本展开，这本日记成了她观察、记录和思考一切的“安全港湾”。 第一部分：秘密基地的建立与夏日序曲 故事开始于一个寻常的六月。艾米莉最好的朋友，总是充满活力的麦克斯（Max），突然宣布他要搬去另一个城市过暑假，这让艾米莉感到了强烈的被抛弃感。为了应对这种突如其来的分离焦虑，艾米莉决定在后院那棵老橡树的树屋里，建立一个“绝对秘密”的基地。她用收集来的旧布料、闪闪发光的鹅卵石，以及从奶奶那里“借来”的一些古董小玩意儿，将树屋装饰成一个充满奇思妙想的避难所。 然而，这个秘密基地很快就面临了第一个考验：新搬来的邻居，一个略显神秘、总是戴着一副oversize太阳镜的女孩——莉拉（Lila）。莉拉看起来比艾米莉成熟几岁，举止间带着一种成年人的冷静。艾米莉最初对她充满戒心，认为莉拉是来侵占她的夏日领土的。 日记本的第一页记录了这种复杂的感受：“今天我画了一个迷宫，上面写着‘危险，请勿靠近’。莉拉就是那个迷宫里的守卫，我不知道她要守护什么，但我确定那不是我能进去的宝藏。” 第二部分：图书馆的谜团与老地图 为了打发麦克斯不在的无聊时光，艾米莉开始频繁光顾镇上的老旧公共图书馆。图书馆管理员，一位名叫格雷女士（Ms. Gray）的女士，虽然看起来严厉，却有着一双洞察人心的眼睛。在一次翻阅旧书的过程中，艾米莉无意中发现了一本关于本地历史的厚重书籍的封底，夹着一张褪色的手绘地图。 这张地图上标记着镇外一片被当地人称为“低语沼泽”的区域，并用红色的“X”标出了一个点。地图的背面用潦草的笔迹写着一句古老的谚语：“水流向何方，真相便会在哪里显现。” 这个发现瞬间点燃了艾米莉的探险欲望。她开始相信，这可能是她这个夏天最重要的使命——解开这个地图的秘密，或许能找到传说中镇上流传的“失落的银币”。 她试图拉拢莉拉加入她的探险队，毕竟莉拉似乎对任何事情都显得“了如指掌”。出乎艾米莉的意料，莉拉并没有嘲笑她，反而表现出了极大的兴趣。莉拉透露说，她的祖父曾是镇上的地质学家，她对这些老地图和未解之谜有天然的亲近感。两人之间的隔阂开始迅速消融，友谊在共同的“秘密任务”下迅速升温。 第三部分：成长的代价与诚实的重量 随着探险的深入，艾米莉开始面对更复杂的个人问题。她的哥哥，一个即将上高中的少年，似乎对艾米莉的童稚感到厌烦，总是把她关在门外。这让艾米莉非常沮丧，她渴望被视为一个能够处理“重要事情”的人。 在一次前往沼泽边缘的实地考察中，艾米莉不小心弄坏了莉拉珍藏的一件老式指南针。这是她祖父留给她最重要的遗物。艾米莉害怕承认错误，在日记中犹豫了整整三天，最终决定撒谎，将责任推给了一只路过的浣熊。 谎言像一块沉重的石头压在她的心头。她发现，即使是为了保护自己的“探险家形象”，欺骗朋友带来的内疚感也远超承认错误的尴尬。在图书馆查阅资料时，格雷女士无意中说了一句：“真实的东西，即使是破碎的，也比虚假的完整更有价值。” 这段经历是艾米莉成长的关键转折点。她最终鼓起勇气，向莉拉坦白了一切。莉拉虽然伤心，但她理解艾米莉的恐惧。两人在日记中都记录了这次和解的意义：真正的友谊经得起诚实的考验。 第四部分：夏日的尾声与未完待续 在夏天的最后几周，艾米莉和莉拉终于根据地图的指引，找到了那个“X”标记的地方——它并非一个宝藏的埋藏地，而是一棵古老、枝繁叶茂的柳树下，那里是镇上第一批拓荒者设立的“时间胶囊”所在地。 时间胶囊里没有金银财宝，只有一些泛黄的信件、一个生锈的音乐盒，以及一本被虫蛀的旧笔记本。笔记本里记录的，是两个世纪前孩子们对未来的憧憬和他们对家乡的热爱。艾米莉意识到，真正的“宝藏”不是物质财富，而是那些连接过去与现在的“故事”和“记忆”。 麦克斯从外地回来了，他带来了新奇的见闻，但艾米莉和莉拉已经不再是过去那个只等着被“拯救”的艾米莉了。她学会了主动探索、维护友谊，并勇敢地面对自己的不足。 故事的结尾，艾米莉在日记本的最后一页写道： “九月快到了，但我不再害怕。今年夏天，我没有找到传说中的银币，但我找到了一些更有价值的东西：我的勇气，我的新朋友，以及一个我知道如何说出真相的自己。树屋依然在那里，但我的世界，已经比那个小小的空间大得多。” 《艾米莉的秘密日记》是一部关于发现自我、珍视友谊以及理解家庭复杂性的动人故事。它用细腻的笔触捕捉了童年最纯真也最困惑的瞬间，是一本能让小读者在欢笑中体会到成长的真谛的夏日读物。

评分☆☆☆☆☆

说实话，我很少遇到能让我长时间保持这么高阅读投入度的书。这本书最吸引我的地方，在于它对“成长”这个宏大主题进行了极其细腻和微观的解构。它没有那种高高在上的说教意味，而是通过一系列看似琐碎、实则蕴含深意的事件，展现了主角心智的悄然成熟。比如，书中对“友谊的复杂性”的处理，简直是大师级的。它没有简单地把朋友塑造成永远支持你的天使，而是真实地展现了嫉妒、误解、和解，乃至友谊的自然消散与重塑。我尤其欣赏作者处理冲突的方式，不是那种一笔带过或者强行圆满的敷衍了事，而是让角色们在经历摩擦后，带着伤痕，却也带着更深刻的理解向前走。这种真实感，让这本书超越了一般的儿童文学范畴，达到了令人深思的深度。每次读完一个章节，我都会停下来，望着窗外发会儿呆，琢磨琢磨：如果是我，我会怎么做？这种强烈的代入感和反思性，是我评判一本好书的重要标准之一。它成功地在轻松愉快的叙事外壳下，包裹了一颗关注心灵成长的坚实内核。

评分☆☆☆☆☆

老实说，这本书带给我的情感冲击是持续性的，它不是那种读完就扔在床头的“快餐读物”。更准确地说，它像是一个老朋友，在你心情低落时，总能找到一个让你会心一笑的片段，或者一个能让你感到被理解的瞬间。我发现，随着年龄的增长，我们似乎越来越难找到能够完全不设防地去体验“纯粹的、不加过滤的情感”的作品了。这本书做到了这一点，它没有回避生活中的小小挫折和尴尬，反而把它们描绘得如此真实，以至于当你读到主角笨拙地处理某个困境时，你会忍不住为他感到揪心，甚至会因为他最终的释怀而感到由衷的欣慰。这种情感上的共振，是任何华丽的特效或跌宕起伏的阴谋都无法替代的。它教会了我以更宽容、更富有同情心的目光去看待生活中的不完美，无论是自己的还是他人的。这本书的价值，绝不仅仅在于它讲述了一个什么样的故事，而在于它在你心中播下了一颗关于“善良与理解”的种子，并在你合上书本后，依然默默地、温柔地滋养着它。

评分☆☆☆☆☆

这本书的结构设计简直精妙绝伦，每一个章节都像是一个打磨光滑的鹅卵石，单独拿出来看都美观，但把它们串联起来，就形成了一条蜿蜒而迷人的河流。我注意到作者非常巧妙地运用了“呼应”的手法，开篇埋下的一个小小的伏笔或是一个无心的玩笑，往往在故事的后半部分以一种让人拍案叫绝的方式被重新激活，并且升华为关键性的情节转折点。这种结构上的精致，让阅读过程充满了发现的乐趣。它不像某些故事那样线性得一眼望到头，而是充满了回旋和层次感。对于那些喜欢从细节中抽丝剥茧的读者来说，这本书简直是宝藏。我甚至忍不住会倒回去重读几遍那些关键性的对话片段，去揣摩那些看似平常的措辞背后隐藏的情感张力。此外，这本书的节奏感处理得非常高明，紧张的时刻戛然而止，让你喘不过气，而到了温馨的段落，时间仿佛慢了下来，每一个细节都被温柔地放大。这种张弛有度的叙事节奏，使得阅读体验极其富有感染力，让人完全沉浸其中，无法自拔。

评分☆☆☆☆☆

哇，我最近沉浸在一套超级棒的读物里，那感觉就像是夏日里突然灌进一整瓶冰镇柠檬水，瞬间清爽又提神！我得说，作者在人物塑造上简直是个魔法师，笔下的人物活灵活现得仿佛随时能从书页里跳出来跟你打招呼。特别是那个主角，哎呀，他的内心戏简直是教科书级别的展现。那种小孩子特有的那种敏感、那种对世界充满好奇又带着点点不安的小心思，被勾勒得淋漓尽致。我感觉我不是在看一个故事，而是在偷窥我童年记忆里某个被遗忘的角落。书中的场景设置也特别有画面感，即便是描写最普通的家庭日常，也能让你闻到那种阳光晒过木地板的温暖味道，或者听到邻居家狗狗吠叫的真实声响。而且，情节的推进节奏把握得极其精准，你永远不知道下一页会发生什么，总有那么一个巧妙的转折，让你忍不住“哎呀”出声，然后赶紧翻下一页。这种阅读体验，简直让人欲罢不能，我甚至为了能多看一会儿，推迟了所有不必要的家务。这套书的文字功底深厚，但读起来又丝毫没有晦涩感，语言流畅自然，像清晨的溪水一样，欢快地流淌过去。那种纯粹的快乐和那种恰到好处的幽默感，真的非常治愈。

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我必须得提一下这本书的“语感”，那简直是一种享受！阅读体验好不好，很大程度上取决于文字是否能“流动”起来，而这套书的文字就是活的，充满了生命力和灵动感。作者的句式变化非常丰富，时而短促有力，充满童稚的急切感，时而又拉长为富有诗意的长句，描绘出广阔的情感空间。我尤其喜欢那种描述人物心理活动的段落，它们不是生硬的心理分析，而是通过肢体语言、细微的表情变化，甚至是一次不经意的叹息来侧面烘托，展现了高超的“间接叙事”技巧。对于我这种对文字敏感的读者来说，光是享受这些优美的表达方式，就已经值回票价了。更难得的是，它在保持文学性的同时，完全没有牺牲可读性。它不会让你因为要去理解复杂的修辞而放慢速度，反而那些华美的辞藻是自然而然地融入了故事的血脉之中，让你在享受故事的同时，不自觉地提升了自己的语感。这简直是教科书级别的语言示范，对任何希望提高写作或者仅仅是想享受纯粹阅读乐趣的人来说，都是极佳的选择。

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推荐，慢慢看给孩子囤的。包装好，活动收的

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孩子点名要买的

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全是文字啊。纸也是那个“环保”（草）纸。整个一盒书轻飘飘的。卖228啊！真敢卖。

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做活动的时候买的，价格实惠！

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我看了这本书籍很好，有不错的感想。认真学习了这本书，给我几个感受

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这本书还不错，比较喜欢。质量很好。字体大小合适，纸张不错，是正版的，信赖京东。。。 女儿点名要的书，大致翻阅一下难度不大，自己先阅读然后再读给孩子听，经典的故事读给孩子门听听也不错。书很有意思，适合中学生学习英文的时候阅读。单词也不难，适合有一定基础的小朋友阅读。 几乎一口气看完。 老少皆宜的故事情节，语言上更适合中学的孩子看。 喜欢喜欢非常喜欢 This book is also good, more like. Good quality. Font size, paper good, is genuine, the letter Lai Jingdong. . . Daughter named to the book, roughly a look at is not difficult, their first read and then read to their children, the classic children's story read to the door to listen to good. The book is very interesting, for middle school students learning English when read. The word is not difficult for the children to read a certain basis. Almost one watches. Ages story, the language is more suitable for high school kids to see. Like Like very much Книга еще неплохо, понравился. Качество очень хорошо. Нужный размер шрифта, бумага неплохо, это устанавливать, доверять JingDong... Дочь перекличку, книга, грубо говоря, многие трудности, вряд ли, сам сначала читать, а потом снова читаю классику, дети слушали историю почитай дети дверь послушать тоже неплохо. Книга очень интересным для учащихся, выучить английский, когда читаю. Слова не быть, подходит для детей читать. Почти дышать досмотрю этот. Все молодые безотлагательном сюжет, язык более подходит для средней школы детей смотреть.

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买了给孩子囤着，家里书太多了，目前他还看不了

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⑤教学生抓重点.教学难免有意外，课堂难免有突变，应对教学意外、课堂突变的本领，就是我们通常说的驾驭课堂、驾驭学生的能力。对教师来说，让意外干扰教学、影响教学是无能，把意外变成生成，促进教学、改进教学是艺术。生成相对于教学预设而言，分有意生成、无意生成两种类型；问题生成、疑问生成、答案生成、灵感生成、思维生成、模式生成六种形式。生成的重点在问题生成、灵感生成。教学机智显亮点.随机应变的才智与机敏，最能赢得学生钦佩和行赞叹的亮点。教学机智的类型分为教师教的机智、学生学的机智，师生互动的机智，学生探究的机智。机智常常表现在应对质疑的解答，面对难题的措施，发现问题的敏锐，解决问题的灵活。

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教育智慧求妙点.从知识到能力，从情感到智慧，教育逐步进入它的最佳境界。教育智慧表现为对教育本