Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.
Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.
##上次他的展覽沒去看成。真是遺憾
評分##很棒。看完最直觀的感受:如果說看之前覺得《鴉》很棒,看完後覺得更棒更讓人著迷和期待完整閱讀的卻是和死亡有關的傢庭相冊項目(Aperture今年就齣版瞭,賊貴也要買啊!)。另外貓的幾個係列看著讓人心碎,極生動的背麵仍是死亡,和傢庭相冊項目一樣是帶給我對攝影這個媒介的死亡質感最直觀和直接衝擊的作品。Youtube上存著看過很多遍高清的翻書視頻,可惜很難買到實體書瞭,有也買不起瞭……
評分##由法國齣版機構Editions Xavier Barral設計並齣版的,深瀨昌久的迴顧性目錄,深瀨昌久作品檔案室主任小菅智和深度參與。按時間順序,分26個章節,用作品展示這個“不可救藥的自我主義者”一生的成就與糾結,張狂與落寞,親情與鄉愁,身份與疑惑。
評分##Among
評分##《鴉》的部分確實很大師,一進入彩色就很實驗。傢庭閤影簡直是行為藝術瞭,既延續瞭傢族照相館的傳統,又在傳統中加入一個裸體就全部顛覆瞭它。另外,拍貓絕對不輸荒木啊。
評分##由法國齣版機構Editions Xavier Barral設計並齣版的,深瀨昌久的迴顧性目錄,深瀨昌久作品檔案室主任小菅智和深度參與。按時間順序,分26個章節,用作品展示這個“不可救藥的自我主義者”一生的成就與糾結,張狂與落寞,親情與鄉愁,身份與疑惑。
評分##大學圖書館居然有這本.
評分##上次他的展覽沒去看成。真是遺憾
評分##大閤集,有幾個主題特彆喜歡,也有一些當時前衛的現在看來一般
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