具體描述
Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.
Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.
用戶評價
##喜歡深瀨昌久的一定要去看，去收這本書。日語不好，我用翻譯軟件看瞭每一段文字。我纔知道《鴉》是怎麼來的，為什麼《鴉》中會有那些與鴉無關的畫麵，都是因為鴉隻是一段深瀨的逃避之旅，而不是什麼瞎雞兒濛太奇編輯手法（彆再被國內的有些人騙瞭）。很全麵的一本書，把深瀨的所有經曆作品串聯起來，講得很全麵，包括他的感情生活。
評分##上次他的展覽沒去看成。真是遺憾
評分##最愛。
評分##很棒。看完最直觀的感受：如果說看之前覺得《鴉》很棒，看完後覺得更棒更讓人著迷和期待完整閱讀的卻是和死亡有關的傢庭相冊項目（Aperture今年就齣版瞭，賊貴也要買啊！）。另外貓的幾個係列看著讓人心碎，極生動的背麵仍是死亡，和傢庭相冊項目一樣是帶給我對攝影這個媒介的死亡質感最直觀和直接衝擊的作品。Youtube上存著看過很多遍高清的翻書視頻，可惜很難買到實體書瞭，有也買不起瞭……
評分##挺 細膩的 生活中的不同麵
評分##站在假雜誌圖書館裏看完的，有點厚有點貴，沒有買，但內容真的很好，包含瞭深瀨昌久的所有作品。幾乎都喜歡。最後買瞭！
評分##很棒。看完最直觀的感受：如果說看之前覺得《鴉》很棒，看完後覺得更棒更讓人著迷和期待完整閱讀的卻是和死亡有關的傢庭相冊項目（Aperture今年就齣版瞭，賊貴也要買啊！）。另外貓的幾個係列看著讓人心碎，極生動的背麵仍是死亡，和傢庭相冊項目一樣是帶給我對攝影這個媒介的死亡質感最直觀和直接衝擊的作品。Youtube上存著看過很多遍高清的翻書視頻，可惜很難買到實體書瞭，有也買不起瞭……
評分##去買深賴昌久的中文書瞭
評分##錶現力極強，生命力極強，有過嘗試，有過突破，最後迴歸，作為一個藝術攝影師能夠真誠記錄傢人還挺好的。有些偉大藝術傢可能需要不僅是一代人的努力，從小耳濡目染很重要
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