文學理論導論（第2版） [Literary Theory:An Introduction] 下載 mobi epub pdf 電子書 2024

☆☆☆☆☆
簡體網頁||繁體網頁



點擊這裡下載

類似圖書 點擊查看全場最低價

---

內容簡介

　　《文學理論導論》(第2版)是西方馬剋思主義文學批評最重要的代錶人物之一特裏·伊格爾頓的代錶作，係統介紹瞭自20世紀初以來西方文學批評理論發展演變的脈絡，在全世界有著廣泛影響，並成為當代歐美許多大學文學專業的教科書，即使與伊格爾頓持不同觀點的教授也不得不承認：“我沒有更閤適的教科書可用瞭。”

目錄

Preface to the Second Edition
Preface
Introduction： What is Literature?
1　The Rise of English
2　Phenomenology， Hermeneutics， Reception Theory
3　Structuralism and Semiotics
4　Post-Structuralism
5　Psychoanalysis
Conclusion： Political Criticism
Afterword
Notes
Bibliography
Index

精彩書摘

　　The Rise of English
　　In eighteenth-century England, the concept of literature was not confined asit sometimes is today to creative or imaginative writing. It meant thewhole body Of valued writing in society: philosophy, history, essays andletters as wellas poems. What made a text literary was not whether it wasfictional - the eighteenth century was in grave doubt about whether the newupstart form of the novel was literature at all - but whether it conformed tocertain standards of polite letters. The criteria of what counted as litera-ture, in other words, were frankly ideological: writing which embodied thevalues and tastes of a particular social class qualified as literature, whereasa street ballad, a popular romance and perhaps even the drama did not. Atthis historical point, then, the value-ladenness of the concept of literaturewas reasonably self-evident.
　　In the eighteenth century, however, literature did more than embodycertain social values: it was a vital instrument for their deeper entrenchmentand wider dissemination. Eighteenth-century England had emerged, battered but intact, from a bloody civil war in the previous century which hadset the social classes at each others throats; and in the drive to reconsolidatea shaken social order, the neo-classical notions of Reason, Nature, order andpropriety, epitomized in art, were key concepts. With the need to incorpor-ate the increasingly powerful but spiritually rather raw middle classes intounity with the ruling aristocracy, to diffuse polite social manners, habits ofcorrect taste and common cultural standards, literature gained a newimportance. It included a whole set of ideological institutions: periodicals,coffee houses, social and aesthetic treatises, sermons, classical translations,guidebooks to manners and morals. Literature was not a matter of feltexperience, personal response or imaginative uniqueness:such terms,indissociable for us today from the whole idea of the literary, would nothave counted for much with Henry Fielding.

前言/序言

　　This book is an attempt to make modern literary theory intelligible andattractive to as wide a readership as possible. Since it first appeared in 1983，I am gratified to report that it has been studied by lawyers as well as literarycritics， anthropologists as well as cultural theorists. In one sense， perhaps，this isnt all that surprising. As the book itself tries to demonstrate， there isin fact no literary theory， in the sense of a body of theory which springsfrom， or is applicable to， literature alone. None of the approaches outlined inthis book， from phenomenology and semiotics to structuralism and psychoanalysis， is simply concerned with literary writing. On the contrary， they allemerged from other areas of the humanities， and have implications wellbeyond literature itself. This， I imagine， has been one reason for the bookspopularity， and one reason which makes a new edition of it worthwhile. ButI have also been struck by the number of non-academic readers it hasattracted. Unlike most such works， it has managed to reach a readershipbeyond academia， and this is especially interesting in the light of literarytheorys so-called elitism. If it is a difficult， even esoteric language， then itseems to be one which interests people who have never seen the inside of auniversity; and if this is so， then some of those inside universities whodismiss it for its esotericism ought to think again. It is encouraging， anyway，that in a postmodern age in which meaning， like everything else， is expectedto be instantly consumable， there are those who have found the labour ofacquiring new ways of speaking of literature to be worthwhile.
文學理論導論（第2版） [Literary Theory:An Introduction] 下載 mobi epub pdf txt 電子書 格式

評分☆☆☆☆☆

導師推薦，正版好書，值得購買

評分☆☆☆☆☆

Afterword

評分☆☆☆☆☆

書是正版，包裝業很仔細

評分☆☆☆☆☆

極好的理論圖書。特裏·伊格爾頓（TerryEagleton，1943-），當代著名的西方馬剋思主義文學理論傢和具有獨特風格的文化批評傢。齣生於英國曼徹斯特附近的薩爾福一個工人階級傢庭，1961年進入劍橋大學，在這所充滿貴族氣息的大學，齣身工人階級的伊格爾頓倍感孤獨，於是投身於學校文化圈外的政治運動中。在校學習期間，伊格爾頓深受老師威廉斯的影響，閱讀和鑽研瞭馬剋思本人以及“西方馬剋思主義”(西馬）理論傢的著作，並逐漸成長為一位馬剋思主義批評傢。

評分☆☆☆☆☆

念書啊，不得不看啊有啥辦法

評分☆☆☆☆☆

比雅培的內熱要好很多

評分☆☆☆☆☆

1　The Rise of English

評分☆☆☆☆☆

速度很快，感謝你們的辛勤勞動

評分☆☆☆☆☆

本來想讀作者的另一本書，可惜沒貨瞭，就搜瞭這本，結果是英文的。。。。

類似圖書 點擊查看全場最低價