文學理論導論（第2版） [Literary Theory:An Introduction] pdf epub mobi txt 電子書 下載 2025

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☆☆☆☆☆

伊格爾頓（Eagleton T.） 著

齣版社： 外語教學與研究齣版社 ，

ISBN：9787560044729

版次：2

商品編碼：10034171

品牌：外研社

包裝：平裝

叢書名： 英美文學文庫

外文名稱：Literary Theory:An Introduction

開本：16開

齣版時間：2004-11-01

頁數：234

正文語種：英語

內容簡介

　　《文學理論導論》(第2版)是西方馬剋思主義文學批評最重要的代錶人物之一特裏·伊格爾頓的代錶作，係統介紹瞭自20世紀初以來西方文學批評理論發展演變的脈絡，在全世界有著廣泛影響，並成為當代歐美許多大學文學專業的教科書，即使與伊格爾頓持不同觀點的教授也不得不承認：“我沒有更閤適的教科書可用瞭。”

目錄

Preface to the Second Edition
Preface
Introduction： What is Literature?
1　The Rise of English
2　Phenomenology， Hermeneutics， Reception Theory
3　Structuralism and Semiotics
4　Post-Structuralism
5　Psychoanalysis
Conclusion： Political Criticism
Afterword
Notes
Bibliography
Index

精彩書摘

　　The Rise of English
　　In eighteenth-century England, the concept of literature was not confined asit sometimes is today to creative or imaginative writing. It meant thewhole body Of valued writing in society: philosophy, history, essays andletters as wellas poems. What made a text literary was not whether it wasfictional - the eighteenth century was in grave doubt about whether the newupstart form of the novel was literature at all - but whether it conformed tocertain standards of polite letters. The criteria of what counted as litera-ture, in other words, were frankly ideological: writing which embodied thevalues and tastes of a particular social class qualified as literature, whereasa street ballad, a popular romance and perhaps even the drama did not. Atthis historical point, then, the value-ladenness of the concept of literaturewas reasonably self-evident.
　　In the eighteenth century, however, literature did more than embodycertain social values: it was a vital instrument for their deeper entrenchmentand wider dissemination. Eighteenth-century England had emerged, battered but intact, from a bloody civil war in the previous century which hadset the social classes at each others throats; and in the drive to reconsolidatea shaken social order, the neo-classical notions of Reason, Nature, order andpropriety, epitomized in art, were key concepts. With the need to incorpor-ate the increasingly powerful but spiritually rather raw middle classes intounity with the ruling aristocracy, to diffuse polite social manners, habits ofcorrect taste and common cultural standards, literature gained a newimportance. It included a whole set of ideological institutions: periodicals,coffee houses, social and aesthetic treatises, sermons, classical translations,guidebooks to manners and morals. Literature was not a matter of feltexperience, personal response or imaginative uniqueness:such terms,indissociable for us today from the whole idea of the literary, would nothave counted for much with Henry Fielding.

前言/序言

　　This book is an attempt to make modern literary theory intelligible andattractive to as wide a readership as possible. Since it first appeared in 1983，I am gratified to report that it has been studied by lawyers as well as literarycritics， anthropologists as well as cultural theorists. In one sense， perhaps，this isnt all that surprising. As the book itself tries to demonstrate， there isin fact no literary theory， in the sense of a body of theory which springsfrom， or is applicable to， literature alone. None of the approaches outlined inthis book， from phenomenology and semiotics to structuralism and psychoanalysis， is simply concerned with literary writing. On the contrary， they allemerged from other areas of the humanities， and have implications wellbeyond literature itself. This， I imagine， has been one reason for the bookspopularity， and one reason which makes a new edition of it worthwhile. ButI have also been struck by the number of non-academic readers it hasattracted. Unlike most such works， it has managed to reach a readershipbeyond academia， and this is especially interesting in the light of literarytheorys so-called elitism. If it is a difficult， even esoteric language， then itseems to be one which interests people who have never seen the inside of auniversity; and if this is so， then some of those inside universities whodismiss it for its esotericism ought to think again. It is encouraging， anyway，that in a postmodern age in which meaning， like everything else， is expectedto be instantly consumable， there are those who have found the labour ofacquiring new ways of speaking of literature to be worthwhile.

評分☆☆☆☆☆

我喜歡的，本專業很厲害的一本書！

評分☆☆☆☆☆

4　Post-Structuralism

評分☆☆☆☆☆

But the data comparing young adults aged sixteen to twenty-four in different countries—the folks who will be manning the global economy for the next thirty or forty years—deserves a closer look. The figures come from three charts in the report’s statistical annex, which we have adapted here. Taken together, they vividly illustrate some of the challenges facing an economic hegemon that has for decades been plagued by wage stagnation and rising inequality, and which, as President Obama has pointed out, desperately needs to raise its game.

評分☆☆☆☆☆

我喜歡的，本專業很厲害的一本書！

評分☆☆☆☆☆

第二版瞭哦，很好的書，以前買的第一版，新版齣來瞭，買來繼續學習。

評分☆☆☆☆☆

伊格爾頓算是文藝學屆的大牛瞭，原版，很好，可以對比國內譯本來讀。

評分☆☆☆☆☆

這本書還沒有開始讀，所以沒法評價，但是名聲在外，相信應該不錯，總體比較滿意的一次購物。轉嚮文學的研究已經有一段時間，但是還沒有明瞭其中的道理，這次買瞭一批文學的書籍，進行查漏補缺，沃倫是其中最重要的一個，打算從文學理論基礎看起，希望自己能夠紮實打好基礎。京東的618已經成為瞭購物狂歡節，買瞭很多，都比較滿意，希望京東繼續活動，一直會支持。唯一的缺憾是包裝，希望京東能夠做好細節的改善，有的書籍角容易磨損，如果能用紙盒就完美瞭。

評分☆☆☆☆☆

第二版瞭哦，很好的書，以前買的第一版，新版齣來瞭，買來繼續學習。

評分☆☆☆☆☆

Preface