基本信息
書名:數碼攝影用光實戰(全彩)
定價:39.80元
作者:謝靜著
齣版社:電子工業齣版社
齣版日期:2011-10-01
ISBN:9787121145636
字數:
頁碼:
版次:1
裝幀:平裝
開本:16開
商品重量:0.763kg
編輯推薦
內容提要
這是一本全麵解析攝影用光技巧的圖書,全書共分6章。一改用光部分內容枯燥的曆史,本書隻在章精簡地講解瞭用光的基本知識,而將後麵5章全部用於講述實際場景拍攝和在不同環境下拍攝的用光技巧。後麵5章分彆為:人像用光、靜物用光、午後用光、夕陽之光、夜色魅影,從這幾章的名稱就可以看齣,《數碼攝影用光實戰(全彩)》對用光的講解著重於自然光綫的運用,這也更符閤廣大普通攝影愛好者的實際情況。大自然本身就是一個充滿奇幻色彩的有機體,我們通常需要做的隻是細心去發現、去錶達。作為攝影圖書,本書緊貼讀者的閱讀興趣,以圖多文少、圖為文釋的方式寫作,書中包含大量作者實拍圖片,文字與圖片進行瞭有機的結閤,提高瞭閱讀的趣味性。
目錄
章 攝影用光的基礎知識
1.1 構成畫麵的一些元素
1.1.1 光的概念
1.1.2 光綫的分類
1.1.3 光綫的色溫
1.2 光綫的方嚮
1.2.1 順光
1.2.2 側光
1.2.3 順側光
1.2.4 側逆光
1.2.5 逆光
1.2.6 頂光
1.2.7 底光
1.3 攝影常用造光設備
1.3.1 內置閃光盯
1.3.2 外接閃光盯
1.3.3 其他燈具
1.4 攝影用光的重要概念
1.4.1 主光
1.4.2 輔光
1.4.3 頭發光
1.4.4 b眼神光
1.4.5 光比
1.5 影棚常用布光種類
第2章 人像用光
2.1 影棚用光
2.1.1 裸燈 蜂巢
2.1.2 裸燈(45側光)
2.1.3 柔光箱(45側光)
2.1.4 柔光箱(順光)
2.2 窗外自然光
2.2.1 改變拍攝角度
2.2.2 改變窗外光綫的通光量
2.3 外景用光
2.3.1 暖調
2.3.2 散謝光綫的利用
2.3.3 明暗對比
第3章 靜物用光
3.1 靜物用光的特點
3.1.1 室內靜物布光類型
3.1.2 體現被攝物體的形、質、色
3.1.3 靜物布光技巧
3.1.4 靜物用光的造型特點
3.1.5 定嚮光的畫麵布局效果
3.1.6 強光照明和弱光照明
3.1.7 光綫的變化效果
3.1.8 色彩飽閤度
3.1.9 畫麵布局:透射光
3.1.10 逆光照明
3.1.11 混閤照明
3.2 玻璃器皿的拍攝用光
3.2.1 錶現玻璃器皿的通透感和輪廓
3.2.2 體現玻璃器皿的立體感
3.3 水果的拍攝用光
3.3.1 突齣水果錶皮的光澤
3.3.3 黑色背景下拍攝技巧
3.4 小飾品的拍攝用光
3.4.1 首飾的拍攝用光
3.4.2 口紅盒的拍攝用光
3.4.3 小型化妝鏡的拍攝用光
3.4.4 在多個物體中突齣主體
3.5 日常用品的拍攝用光
第4章 午後陽光
4.1 光影視覺感
4.2 投影的魅力
4.3 神秘的朦朧
4.4 低光位與暖色調
第5章 夕陽之光
5.1 夕陽西下
5.1.1 路邊拍攝
5.1.2 林蔭
5.1.3 江邊
5.2 黃昏時候
5.2.1 天際之色
5.2.2 建築半剪影
5.3 夕陽變奏麯
5.3.1 風清雲淡
5.3.2 風雲突變
5.3.3 金色晚霞
第6章 夜色魅影
6.1 夜裏的建築
6.2 都市之夜
6.2.1 商場與光影
6.2.2 行人的蹤影
6.2.3 街邊的故事
6.3 “變味”的建築
6.3.1 平行移動相機
6.3.2 轉動變焦環
6.3.3 車燈軌跡
作者介紹
文摘
序言
As a budding landscape photographer, my biggest challenge has always been capturing the dynamic interplay of light and shadow that defines dramatic scenery. The title, "數碼攝影用光實戰(全彩)," immediately piqued my interest, as it suggests a focus on practical application rather than abstract theory, and the promise of full-color illustrations is a significant draw for a genre where light is paramount. I'm hoping this book will equip me with the knowledge to understand and harness natural light in its myriad forms – from the soft, diffused light of a cloudy day that reveals subtle textures, to the sharp, directional light of a sunset that sculpts mountains and casts long, dramatic shadows. I envision the book delving into techniques for shooting during different times of day, understanding the unique qualities of morning light, midday sun, and the ethereal glow of twilight. Beyond just understanding natural light, I'm also keen to learn how to use filters and exposure techniques to enhance and control the light I capture. Perhaps the book will offer insights into how to balance bright skies with darker foregrounds, or how to use long exposures to smooth out water or capture the movement of clouds, all of which are heavily reliant on understanding light. The "實戰" aspect implies real-world examples and solutions, which is exactly what I need to move beyond simply admiring stunning landscape photographs to actively creating them myself.
評分我是一名攝影初學者,對“光綫”這個概念一直感到模糊而又充滿敬畏。在接觸瞭各種攝影教程後,總覺得講到用光的部分總是點到為止,不夠深入,不夠“接地氣”。《數碼攝影用光實戰(全彩)》這個書名,聽起來就像是為我這樣的新手量身定做的,它強調“實戰”和“全彩”,這正是我所迫切需要的。我希望這本書能從最基礎的知識講起,比如什麼是硬光、什麼是柔光,它們分彆會給畫麵帶來什麼樣的效果,以及如何辨彆和利用它們。我期待書中能夠有大量的圖示,清晰地展示不同光綫方嚮(正麵光、側麵光、頂光、底光等)對被攝物體(無論是人物還是靜物)形態的影響,甚至是如何通過簡單的道具(比如白闆、锡紙)來改變和控製光綫。我希望通過閱讀這本書,能夠建立起一套關於光綫的直觀感受,而不是僅僅停留在理論層麵。例如,當我在實際拍攝時,看到一個場景,能夠立刻判斷齣當前的光綫條件是什麼樣的,以及如何通過調整角度、增加輔助光源或者使用反光闆來達到我想要的效果。我渴望這本書能成為我攝影之路上的第一本“光綫啓濛書”,讓我真正掌握用光的樂趣和技巧。
評分最近迷上瞭攝影,尤其是人像攝影,總感覺自己的照片少瞭點“靈魂”,畫麵顯得扁平,沒有立體感。聽朋友推薦瞭《數碼攝影用光實戰(全彩)》,書名聽起來就非常實用,而且“全彩”這一點讓我很期待,畢竟光綫和色彩是攝影的生命綫。我期待在這本書裏能夠找到關於如何運用光綫來塑造人物麵部輪廓、突齣眼神光、營造氛圍的秘訣。比如,側光是不是能讓臉部更有立體感?頂光會不會顯得人物憔悴?逆光又該如何處理邊緣光,讓畫麵不至於太暗?我希望能看到大量的實拍案例,不僅僅是精美的照片,更重要的是每張照片背後都有詳細的光綫設置講解,例如使用哪種光源、離被攝者多遠、光綫的角度和強度如何控製,甚至是使用瞭什麼反光闆或柔光罩。我希望這本書能像一位經驗豐富的老師,手把手地教我如何在不同的場景下,比如室內、室外、白天、夜晚,根據被攝者的特點和想要錶達的情緒,靈活運用各種光綫技巧,讓我的照片從“記錄”提升到“藝術”。我腦海中已經浮現齣,通過學習這本書,我能夠自信地麵對各種光綫條件,不再畏懼暗光,而是能夠巧妙地利用它,創造齣令人驚嘆的作品。
評分作為一名對光影藝術有著濃厚興趣的數碼攝影愛好者,我一直在尋找一本能夠真正指導我如何在實際拍攝中運用光綫的書籍。《數碼攝影用光實戰(全彩)》這個書名,immediately struck me as exactly what I needed. It promised a practical, hands-on approach, and the "full color" aspect suggested it would be visually rich, which is crucial when discussing light. I envisioned flipping through vibrant images, dissecting how different lighting scenarios were achieved, and learning to replicate them in my own work. My initial thoughts gravitated towards the idea of understanding the fundamental principles of light – its direction, quality, and intensity – and how these elements interact with subjects. I was particularly keen on learning how to use natural light effectively, especially during those golden hours that photographers rave about. Furthermore, I hoped the book would delve into the world of artificial lighting, perhaps covering strobes, continuous lights, and modifiers like softboxes and umbrellas. The "實戰" (practical) in the title gave me confidence that this wouldn't be an overly theoretical tome but one filled with actionable advice, case studies, and perhaps even step-by-step tutorials. I pictured myself poring over diagrams illustrating light setups, comparing before-and-after shots, and feeling inspired to experiment with new techniques on my next photoshoot. The prospect of finally mastering the art of controlling and shaping light, transforming ordinary scenes into extraordinary photographs, felt incredibly exciting, and this book seemed like the perfect guide on that journey.
評分In my pursuit of mastering studio portraiture, the role of artificial lighting has always been the most daunting yet exciting aspect. The title "數碼攝影用光實戰(全彩)" resonated deeply with my aspirations, promising a practical, visually-driven guide to this complex subject. I envision this book as a comprehensive manual for understanding and manipulating artificial light sources within a controlled environment. My anticipation is for detailed explanations of various lighting setups, such as the classic Rembrandt lighting, butterfly lighting, and split lighting, accompanied by clear diagrams and illustrative photographs showcasing the resultant effects. I'm particularly interested in learning about the different types of studio lights, their characteristics, and how to use them effectively, including modifiers like softboxes, umbrellas, grids, and snoots to shape and control the light. The "實戰" component suggests that the book will go beyond mere theory and provide actionable advice on how to achieve specific moods and aesthetics through lighting. I'm hoping to find guidance on how to use key, fill, and rim lights in conjunction to create dimensional and flattering portraits, as well as how to deal with challenging skin tones and textures using light. The "full color" aspect is crucial, as it allows for a nuanced appreciation of how light colors and temperatures impact the final image. Ultimately, I seek to gain the confidence and technical expertise to confidently set up and execute professional-level lighting schemes for my studio portrait sessions, transforming my subjects into compelling works of art.
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