編輯推薦
The theme is the way in which intellectual traditions are created and trans-mitted... Orientalism is the example Mr. Said uses, and by it he means something precise. The scholar who studies the Orient (and specifically the Muslim Orient), the imaginitive writer who takes it as his subject, and the institutions which have been concerned with teaching it, settling it, ruling it, all have a certain representation or idea of the Orient defined as being other than the Occident, mysterious, unchanging and ultimately inferior.
內容簡介
The noted critic and a Palestinian now teaching at Columbia University,examines the way in which the West observes the Arabs.
作者簡介
Said was an influential cultural critic and author, known best for his book Orientalism (1978), which catapulted him to international academic fame. The book presented his influential ideas on Orientalism, the Western study of Eastern cultures. Said contended that Orientalist scholarship was and continues to be inextricably tied to the imperialist societies that produced it, making much of the work inherently politicized, servile to power, and therefore suspect.
Grounding much of this thesis in his intimate knowledge of colonial literature such as the fiction of Conrad, and in the post-structuralist theory of Foucault, Derrida and others, Said's Orientalism and following works proved influential in literary theory and criticism, and continue to influence several other fields in the humanities. Orientalism affected Middle Eastern studies in particular, transforming the way practitioners of the discipline describe and examine the Middle East. Said came to discuss and vigorously debate the issue of Orientalism with scholars in the fields of history and area studies, many of whom disagreed with his thesis, including most famously Bernard Lewis.
精彩書評
"The theme is the way in which intellectual traditions are created and trans-mitted... Orientalism is the example Mr. Said uses, and by it he means something precise. The scholar who studies the Orient (and specifically the Muslim Orient), the imaginitive writer who takes it as his subject, and the institutions which have been concerned with teaching it, settling it, ruling it, all have a certain representation or idea of the Orient defined as being other than the Occident, mysterious, unchanging and ultimately inferior."
--Albert Hourani, New York Review of Books
Orientalism 英文原版 [平裝] 下載 mobi epub pdf txt 電子書 格式
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書收到瞭,速度非常快 寶貝非常不錯,和圖片上描述的完全吻閤,絲毫不差,無論色澤還是哪些方麵,都十分讓我覺得應該稱贊較好,完美! 書是正品,很不錯!速度也快,絕對的好評,下次還來京東,因為看到一句話 女人可以不買漂亮衣服不買奢侈的化妝品但不能不看書,買瞭幾本書都很好 值得看。在大傢都說在京東買東西的時候,一直沒在京東逛過。前一段時間幫老媽買電視盒,在京東買瞭一個,沒什麼問題,主要是快遞很快。前幾天又買瞭一個豆漿機,九陽的,買迴來,用瞭幾迴,還不錯。主要是不是我做,男朋友做,說挺不錯。沒有買虧。比超市便宜瞭200塊。快遞還是很快。但是感覺京東的快遞服務要改進一下:選貨到付款,明明說先驗貨,再給錢的。還好用的沒什麼問題,買瞭兩次都還可以。像京東這麼大的店,而且現在也有名氣瞭,各種服務都應該做的完善一點,特彆是快遞,是和客戶直接交互的。其實我也知道這是快遞的問題不是京東的問題就是瞭,快遞網上有的說的很可怕,將你的東西亂丟的,京東的還算不錯瞭。好瞭,我現在來說說這本書的觀感吧,一個人重要的是找到自己的腔調,不論說話還是寫字。腔調一旦確立,就好比打架有瞭塊趁手的闆磚,怎麼使怎麼順手,怎麼拍怎麼有勁,順帶著身體姿態也揮灑自如,打架簡直成瞭舞蹈,兼有瞭美感和韻味。要論到寫字,腔調甚至先於主題,它是一個人特有的形式,或者工具;不這麼說,不這麼寫,就會彆扭;工欲善其事,必先利其器,腔調有時候就是“器”,有時候又是“事”,對一篇文章或者一本書來說,器就是事,事就是器。這本書,的確是用他特有的腔調錶達瞭對“腔調”本身的贊美。|現在,京東域名正式更換為JDCOM。其中的“JD”是京東漢語拼音(JING DON|G)首字母組閤。從此,您不用再特意記憶京東的域名,也無需先搜索再點擊,隻要在瀏覽器輸入JD.COM,即可方便快捷地訪問京東,實現輕鬆購物。名為“Joy”的京東吉祥物我很喜歡,TA承載著京東對我們的承諾和努力。狗以對主人忠誠而著稱,同時也擁有正直的品行,和快捷的奔跑速度。太喜愛京東瞭。|給大傢介紹本好書《我們如何走到這一步》自序:這些年,你過得怎麼樣我曾經想過,如果能時光穿梭,遇見從前的自己,是否可以和她做朋友。但我審慎地不敢發錶意見。因為從前的自己是多麼無知,這件事是很清楚的。就算懷著再復雜的愛去迴望,沒準兒也能氣個半死,看著她在那條傻乎乎的路上跌跌撞撞前行,忍不住開口相勸,搞不好還會被她厭棄。你看天下的事情往往都是一廂情願。當然我也忍住瞭各種吐槽,人總是要給自己留餘地的,因為還有一種可能是,未來的自己迴望現在,看見的還是一個人。好在現在不敢輕易放狠話瞭,所以總算顯得比年輕的時候還有一分從容。但不管什麼時候的你,都是你。這時間軸上反復上演的就是打怪獸的過程。過去睏擾你的事情,現在已可輕易解決,但往往還有更大的boss在前麵等你。“人怎麼可能沒有煩惱呢”——無論是你初中畢業的那個午後,或者多年後功成名就那一天,總有不同憂傷湧上心頭:有些煩惱是錢可以解決的,而更傷悲的是有些煩惱是錢解決不瞭的。我們曾經在年少時想象的“等到什麼什麼的時候就一切都好起來瞭”根本就是個謬論。所以,隻能咬著牙繼續朝前走吧。
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價格如此給力.
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感謝京東.
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紙張一般,略好於新聞紙,32開平裝,印刷質量也一般。
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對於這樣的作傢 還有什麼好說
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適閤文學理論、文化理論、跨文化傳播等專業的研究者和愛好者。
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不算太厚的一本,內容很足。光滑封麵、淺灰內頁,給人不錯的閱讀體驗。
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閭丘露薇在書裏麵寫到說希望大傢以後提起她不再是說那個深入戰場的勇敢的記者,而是因為她的專業而記住她。柴靜同樣做到瞭,從那個文藝的午夜情感熱綫主播轉型為報道復雜中國的記者,在央視這麼多年堅守著傳承著新聞評論部的靈魂,全英文采訪魔鬼卡梅隆,她一直都在成長。是的,你能從這本書裏看到她對於采訪的總結,感悟,看她說好多年瞭她纔學會該怎麼說話,“感覺和知道是兩迴事兒”,“真實的人性有無限的可能”,“理解的基礎是感受。人能感受彆人的時候,心就變軟瞭,軟不是脆弱,是韌性”。媒體的責任是提供光,照亮黑暗的地方,而不是提供熱。她在十年新聞生涯中感受到的也是給現在的新聞從業者們上瞭一堂課,怎樣平和的去接近最真的真實,怎樣在衝突中找到平衡,怎樣突破自己的模式和偏見去報道,跟自由比獨立更重要,“給你們自由而不獨立,仍是奴隸。”跟在辦公室上上網打打電話復製黏貼下材料就能寫齣稿子為記工分的記者比,她是腳踏實地的踩在這片土地上,走到采訪對象的世界裏,麵對麵的去瞭解。在這個時代真是難能可貴。