good!!!!!!!!!!!!!!!!!!!!!!!!
評分有名的一本書。但是沒啥幫助
評分鍾開來的概率論算是簡單而全麵的書瞭
評分作者有些地方英文錶述不太清楚,不過這本書還是很有名的啦。
評分 評分京東老用戶,好,值得信耐,希望以後更多優惠!
評分不錯,京東買快捷方便,物流快,一直用京東!書是想要的,贊贊贊贊贊
評分The Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditionaThe Siren Mode: Female Body Image in the Ballets Russes and Haute Couture c.1927- 1929 Katerina Pantelides From 1920-1927 the gar?0?4onne, an androgynous female icon dominated Paris fashion and Sergei Diaghilev’s Ballets Russes, as a boyish silhouette and youthful, unsophisticated mannerisms were promoted by fashion arbiters and the Russian émigré ballet company alike. However, during the late 1920s, the gar?0?4onne gave way to more traditiona
評分書應該是很好的,但願我能看懂。
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