當代國外語言學與應用語言文庫·認知語義學（捲2）：概念結構中的類型及過程 [Toward a Cognitive Semantics(VolumeⅡ):Typology and Process in 下載 mobi epub pdf 電子書 2024

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　　 《認知語義學》（兩捲本）為認知語言學創始人、美國語言學傢Leonard Talmy傾盡心血的集大成之作。兩捲本奠定瞭認知語義學的理論基礎，是語言學領域，尤其是認知語言學領域研究者的必讀之作。
　　 《認知語義學（捲Ⅱ）：概念結構中的類型及過程》為兩捲本的第二捲，主要描述概念構建過程中呈現的類型學和結構特徵。第一捲《認知語義學（捲Ⅰ）：概念結構係統》主要研究概念的構建。

內容簡介

　　 《認知語義學》（Toward a Cognitive Semantics Ⅰ&Ⅱ，2000，the MIT Press．以下簡稱“本書”或“該書”）為認知語言學創始人、美國語言學傢Leonard Talmy傾盡心血的集大成之作。本書奠定瞭認知語義學的理論基礎，是語言學領域，尤其是認知語言學領域研究者必讀之作。該書原創性強，各章理論自成體係，且包含多種理論係統。全書基於大量的語料，理論基礎牢固。該書不僅對語言學領域內的分支（尤其是語義學、句法學、類型學等）具有方嚮性的帶領作用，而且對人類學、文學（尤其是敘事學）、心理學、哲學、文化研究、神經科學及人工智能等學科中的話題也有重要影響。此書使作者一舉成為舉世公認的認知語言學創始人。
　　 《當代國外語言學與應用語言文庫·認知語義學（捲2）：概念結構中的類型及過程》的核心是“概念結構係統”。作者在捲I和捲II的副書名中均使用瞭structuring一詞，錶示概念結構並不是一個靜態的結構係統，而是通過不同的認知過程“構建”（structuring）而成。

內頁插圖

目錄

Introduction
PART 1 TYPOLOGICAL PATTERNS IN THE REPRESENTATION OF EVENT STRUCTURE
Chapter 1 Lexicalization Pattems
Chapter 2 Surveying Lexicalization Patterns
Chapter 3 A Typology of Event Integration
Chapter 4 Borrowing Semantic Space: Diachronic Hybridization

PART 2 SEMANTIC INTERACTION
Chapter 5 Semantic Conflict and Resolution
Chapter 6 Communicative Goals and Means: Their Cognitive Interaction

PART 3 OTHER COGNITIVE SYSTEMS
Chapter 7 The Cognitive Culture System
Chapter 8 A Cognitive Framework for Narrative Structure

References
Index

精彩書摘

A work that reveals different parts ofitself through time can be considered intrinsically dynamic. Examples of genres of this type are conver-sation， storytelling， a play， a film， a comedy routine， an improvisational theater performance， a mime performance， a religious ceremony， a dance performance， music， video art， and kinetic sculpture.
Other works are intrinsically staac， but the experiencer can interact with them by successively directing his attention to different parts of the whole. Static works may be classed into two groups on the basis of whether or not there is a cultural convention that prescribes a particular sequence in which attention is to be directed （even though it would be physically possible to direct one‘s attention elsewhere）. Works that involve such a convention include a book， a cartoon strip， a sequential fresco， and an Australian aboriginal sand tracing depicting mythic treks.
Other types of static work are designed for random access by the experiencer’s focus of attention. Examples of such works are a painting or tapestry with a number of different depicted components; a sculpture designed for viewing from different angles; an architectural structure that one can view from different interior and exterior points; and a geographic-sized art work， as by Cristo， An interesting observation emerges from this analysis， Any old tapestry or painting that in effect depicts a story by showing a number of figures and activities together suggesting a succession of events， but one that the viewer must piece together through her own self-determined sequence .of visual fixations， is as much an example ofinteractive fiction as any modern computer-based form.
The prototype requirement for narrative that it be progressional is abetted to the extent that a genre exhibits a certain one of the characteristics outlined above. This characteristic is that the genre‘s partwise succession is determined-whether by physical shifts of exposure or by conventions for directing attention-rather than being open to attentional random access.
2.1.3 The Degree of Coherence and Significance The third and final factor considered here is that of Coherence and Signiftcance. A lugh degree of coherence and significance are required for the narrative prototype. Coherence is the property that the parts of the work fit together into a sensible whole. That is， relative to the average human conceptual system， the parts of the work can be cognized together in a way that they constitute a higherlevel entity that can be assessed as a unity. A work loses coherence to the extent that parts of the work are experienced as contra-dictory， irrelevant， or random with respect to each other. Significance （in its nonneutral sense） is the property that the parts and the whole of a work can be experienced as fulfilling some purpose or mission on the part of the author.
It can be seen why a prototypical narrative requires that the factor of coherence and significance be added to the previous two factors， and that all three factors have positive values. A “work” could be prototypical in being ideational and progressional but， without coherence and significance， it would hardly qualify as a narrative. An example of this combination of values is a diary or’a chronicle， which recounts a succession of ideational events but lacks story character to the extent that the entries do not cohere. A collection of references to a succession of unrelated events-whose juxtaposition would thus not only lack coherence but also significance-would be even less of a narrative. On the other hand， to the extent that a diary is seen as someone‘s personal history or “story” or that a chronicle is seen as the history or “story” of， say， a kingdom， the recounted succession of events would be accorded a sense of coherence and purpose and so come closer to being experienced as a narrative.
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當代國外語言學與應用語言文庫·認知語義學（捲2）：概念結構中的類型及過程 [Toward a Cognitive Semantics(VolumeⅡ):Typology and Process in 下載 mobi epub pdf txt 電子書 格式

評分☆☆☆☆☆

第一部讀瞭，挺好，這一部應該可以。

評分☆☆☆☆☆

好東西，很喜歡, 很不錯的

評分☆☆☆☆☆

對認知語義學很感興趣，雖然我連一本語言學入門的書都沒好好看過，但看認知語義學的介紹，感覺似乎可以讓我們這些母語不是英語的人通過技術手段模擬語言在母語人士的大腦中産生的印象和感覺。也不知道是不是這麼迴事情，所以就買瞭一套來學習一下，希望有所收獲。語義理論不斷翻新，觀點各異，學派林立。近年來，認知語義學越來越得到人們的關注和認可。認知語義學傢的一些主要觀點，如語義的經驗觀、概念觀、百科觀、原型觀、意象圖式觀、隱喻觀、寓比觀、象似觀以及認知模型和激活理論值得介紹。語義具有動態性、可變性和不確定性。詞項空缺的認知研究及主要填補手段中文摘要: 本文主要闡述的是詞項空缺р認知的關係及其主要的填補手段,旨在從認知語義學角度解釋詞項空缺産生的深層原因並找到有效的填補方法.在國外,認知語言學的發展已經有數十年曆史瞭,自90年....認知語義學指導下的英漢雙語學習詞典的創新中文摘要: 語言學的創新理論,深刻地影響著詞典的編纂原則與創新實踐。本文所指的認知語言學是指狹義的認知語言學,主張人的語言能力與人的一般認知能力沒有什麼本質上的差彆。作為語言學界新興學派,....Lakoff概念隱喻理論補充研究中文摘要: 1980年,Lakoff和Johnson齣版瞭劃時代的隱喻理論專著《我們賴以生存的隱喻》,它標誌著隱喻研究由傳統的客觀主義到認知主義的轉嚮。隨後,其概念隱喻理論風靡認知語言學界和哲學界,....邏輯語義分析方法及應用中文摘要: 邏輯語義學是語義學的一個分支,其概念是用邏輯學方法分析和研究語義問題。隨著對人類語言意義的不斷研究,邏輯語義學被越來越多的語言學傢研究並拓展,形成瞭一門重要的分支學科。 本文詳細....從認知語義角度看英語空間介詞的漢中文摘要: 介詞作為一種古老而又基本的詞類,早在傳統語法時代就進入瞭研究者的視野。空間介詞,基於人類與外界交互産生的最基本的介詞種類,為人類認知抽象概念提供瞭基礎和依據,因而得到瞭更多的研究者的青睞....詞匯文化語義的認知研究中文摘要: 詞匯文化語義作為各民族語言中非常普遍的現象，在語言學領框架、采用其相關的研究方法對日漢語的垂直軸上的移動動詞“アガル”“サル”和“上”“下”進行瞭對比研究。 本文首先分彆考....轉喻的認知語用研究中文摘要: 轉喻是非常普遍的語言使用現象。近年來,國內外關於轉喻的認知闡釋層齣不窮。認知語義學一方麵揭示瞭轉喻的概念本質,使轉喻的研究走齣瞭傳統修辭的樊籠。另一方麵,人們在驚解過程中至關重要的一步,而在導緻話語歧解的各種歧義類型中又以詞匯歧義最為常見。本研究試圖運用語言學理論在認知語義學和認知語用學的框架中闡釋人腦如何對詞匯歧義進行自動消解。....從認知角度看Hand和Shou的語義擴展中文摘要: 自傳統語言學以來,用對比分析的方法分析不同語言詞義擴展現象的研究就一直是語言研究熱點之一。隨著認知語義學的興起,越來越多的學者開始在“類典型和基本範疇理論”框架下做類似的對比分析研究。

評分☆☆☆☆☆

是正版，是認知語義學的經典之作

評分☆☆☆☆☆

專業書籍,貴.

評分☆☆☆☆☆

這麼專業的書京東都有賣，加油京東，一直支持你

評分☆☆☆☆☆

《認知語義學》是“當代國外語言學與應用語言學文庫”之一，奠定瞭認知語義學的理論基礎，是語言學領域，尤其是認知語言學領域研究者必讀之作。該書原創性強，各章理論自成體係，且包含多種理論係統。

評分☆☆☆☆☆

京東的書，一直都還不錯，紙張一般，但是我們都是衝著內容來的。

評分☆☆☆☆☆

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