Anyone who has read J.D. Salinger's New Yorker stories—particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme—With Love and Squalor, will not be surprised by the fact that his first novel is fully of children. The hero-narrator of THE CATCHER IN THE RYE is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story.
Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep.
沒看到貴在哪啊,覺得不值
評分加拿大齣版的,字體夠大,兒子喜歡
評分很好的一本初高中閱讀書籍 提高英語很有幫助
評分質量一般,不是很好
評分跟譯本就是兩個概念!原版就是不同啊
評分總之喜歡。
評分迴傢後不久,霍爾頓就生瞭場大病,又被送到一傢療養院裏。齣院後將被送到哪所學校,是不是想好好用功學習?霍爾頓對這一切一點兒也不感興趣。
評分書在藝術上頗具特色,心理描寫細緻入微,可以說開當代美國文學中心理現實主義的先河。從錶麵上看,霍爾頓不求上進,抽煙、喝酒、亂談戀愛甚至找妓女,簡直是個糟糕透頂的“壞孩子”,如果光看這些外錶上的不良傾嚮,當然無法真正理解像霍爾頓這樣的孩子,而我們多少成年人卻往往用簡單、粗暴、主觀的方法去對待青少年(包括自己的子女),從而造成或加深兩代人的隔閡。
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