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世界文学名著表现了作者描述的特定时代的文化。阅读这些名著可以领略著者流畅的文笔、逼真的描述、详细的刻画，让读者如同置身当时的历史文化之中。为此，我们将这套精心编辑的“名著典藏”奉献给广大读者。
我们找来了专门研究西方历史、西方文化的专家学者，请教了专业的翻译人员，精心挑选了这些可以代表西方文学的著作，并听取了一些国外专门研究文学的朋友的建议，不删节、不做任何人为改动，严格按照原著的风格，提供原汁原味的西方名著，让读者能享受纯正的英文名著。
随着阅读的展开，你会发现自己的英语水平无形中有了大幅提高，并且对西方历史文化的了解也日益深入广阔。
送您一套经典，让您受益永远！
内容简介
《远大前程》是狄更斯成熟的作品之一，是他比较晚期的作品。狄更斯经历了丰富的人间生活后，对人，对周围环境，对自己的生活经历都有了深刻的认识，而所有他成熟的思想认识都汇总在《远大前程》一书中。这部作品原题名是Great Expectations，意思是指一笔遗产，中国把它译成“远大前程”。这个译名给读者一种印象，即作品的主人公是有远大前程的。而事实上，这个“远大前程”是带讽刺意义的，应该说这部作品的主题决非仅仅是写孤儿皮普想当上等人的理想幻灭的故事，如果这样理解，就领会错了狄更斯创作这部作品的意义。皮普生活在姐姐家里，生活艰苦，他的理想是当一名像姐夫一样的铁匠，他没有想当上等人。后来他之所以想当上等人是因为环境的改变。狄更斯的哲学思想之一是环境对人思想的影响。不同的环境可以造就成不同的人。皮普的整个发展过程是符合一般人性理论的。
作者简介
查尔斯·狄更斯（Charles Dickens）（1812年1870年），英国小说家，出生于海军小职员家庭，10岁时全家被迫迁入负债者监狱，11岁就承担起繁重的家务劳动。曾在黑皮鞋油作坊当童工，15岁时在律师事务所当学徒，后来当上了民事诉讼法庭的审案记录员，接着又担任报社派驻议会的记者。他只上过几年学，全靠刻苦自学和艰辛劳动成为知名作家。
狄更斯是高产作家，他凭借勤奋和天赋创作出一大批经典著作。他又是一位幽默大师，常常用妙趣横生的语言在浪漫和现实中讲述人间真相，狄更斯是19世纪英国现实主义文学的主要代表。艺术上以妙趣横生的幽默、细致入微的心理分析，以及现实主义描写与浪漫主义气氛的有机结合著称。马克思把他和萨克雷等称誉为英国的“一批杰出的小说家”。
目录
VOLUME 1
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
VOLUME 2
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
VOLUME 3
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER 7
CHAPTER 8
CHAPTER 9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
精彩书摘
《远大前程（英文版）》：MY father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone and my sister-Mrs. Joe Gargery, who married the blacksnuth. As I never saw my father-or my mother, and never saw any likeness of either of them （for their days were long before the days of photographs）, my first fancies regarding what they were like were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above,"I drew a cluldish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers ofmine,-who gave up trying to get a living, exceedingly early in that universal struggle,-I am indebted for a beliefl religiously entertained that they had all been born on their backs with their hands in their trousers-pockets, and had never taken them out in this state of existence.
Ours was the marsh country, down by the river, within, as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain that tlus bleak place overgrown with nettles was the churchyard; and that Plulip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried, and that the dark flat wilderness beyond the churchyard, intersected with dikes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was ruslung was the sea, and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.
"Hold your noise!"cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or I'll cut your throat!"
A fearful man, all in coarse gray, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and tom by briars; who limped, and sluvered, and glared, and growled; and whose teeth
chattered in his head as he seized me by the chin.
"Oh! Don't cut my throat, sir,"I pleaded in terror. "Pray don't do it, sir."
"Tell us your name! "said the man. "Quick ! "
"Pip, sir."
"Once more,"said the man, staring at me. "Give it mouth!"
"Pip. Pip, sir."
"Show us where you live,"said the man. "Pint out the place!"
I pointed to where our village lay, on the flat in-shore among the alder-trees and pollards, a mile or more from the church.
The man, after looking at me for a moment, tumed me upside down, and emptied my pockets. There was nothing in them but a piece of bread. When the church came to itself-for he was so sudden and strong that he made it go head over heels before me, and I saw the steeple under my feet -when the church came to itself, I say, I was seated on a high tombstone, rembling wlule he ate the bread ravenously.
"You young dog,"said the man, licking his lips, "what fat cheeks you ha' got."
I believe they were fat, though I was at that time undersized for my years, and not strong.
"Darn me ifl couldn't eat 'em,"said the man, with a threatening shake of his head, "and ifl han't half a nund to't!"
I eamestly expressed my hope that he wouldn't, and held tighter to the tombstone on which he had put me; partly, to keep myself upon it; partly, to keep myself from crying.
"Now then, lookee here!"said the man. "Where's your mother?"
……
用户评价
这是一部需要用心去“听”而不是“看”的书。它的节奏感把握得极为巧妙，有那种大历史叙事下的缓慢、庄重，也有突发事件降临时如暴雨骤至的急促与混乱。作者在处理时间跨度上展现了高超的技巧，有时一笔带过数年，有时又将某一关键的下午细致地描绘到每一秒钟的心理波动。关于书中几个核心人物的命运轨迹，我感到既唏嘘又觉得无比真实，他们并非传统意义上的英雄或恶人，而是一群在特定社会压力下被挤压变形的复杂个体。特别是对他们之间情感联结的描述，那种既依赖又互相伤害的矛盾性，让人看得心惊肉跳。这本书的魅力在于它的复杂性，它拒绝提供廉价的安慰或简单的道德评判，而是将世界呈现为一片灰色的地带，要求读者自己去分辨对错、去承担理解的重量。读完后，我感觉自己对人性的复杂程度有了更深一层的认识，那种探索未知的智力上的满足感是无与伦比的。
评分如果用一个词来形容这次阅读体验，我会选择“震撼”。它并非以情节的跌宕起伏取胜，而是凭借其深刻的社会批判力度和对人类精神世界的恒久追问来震撼读者。书中的许多场景和对话，即便在脱离了故事背景的语境下，依然具有强大的现实意义和警示作用，仿佛是作者在百年前写给当代人的一封信。我特别注意到作者对于象征手法的运用，那些反复出现的小物件、特定的天气变化，都像音乐中的主旋律一样，在不同的章节中变奏、回响，构建起一种超越表层叙事的深层意义。这迫使我不得不进行多次回顾和查阅，以求捕捉到那些被巧妙隐藏的讽刺和寓意。它不是那种读完可以立刻“放下”的书，它像一个在你脑海中扎了根的生物，时不时地冒出一些关于机遇、阶级、教育投资回报率的尖锐思考。总而言之，这是一部具有里程碑意义的文学作品，值得反复品味，每一次重读都会有新的感悟和发现。
评分这本书的叙事结构简直是一场精妙的迷宫设计，初读时或许会感到有些许的迷失，但随着情节的层层推进，那些看似散落的线索开始逐渐串联，形成一张巨大而缜密的网。我不得不佩服作者构建世界的功力，无论是宏大的社会图景，还是微小到一处景物的描摹，都透露出一种经过深思熟虑的匠心。语言风格上，它时而如诗歌般优美流畅，充满了古典韵味和深刻的隐喻；时而又变得如同冷硬的法律条文般精准、毫不留情，直接揭示了人性中最不堪的一面。这种风格上的巨大跨度和转换，非但没有造成阅读障碍，反而极大地丰富了文本的层次感。特别是对于“理想”与“现实”之间鸿沟的探讨，作者没有给出简单的答案，而是将选择的重负完全交给了读者去承担。我特别喜欢那些充满张力的对话场景，角色之间的言语交锋充满了机锋和潜台词，每一次的停顿和沉默都比滔滔不绝的叙述更有力量，让人不得不放慢速度，细细品味其中暗藏的深意。
评分坦白说，一开始被它的厚度和略显晦涩的开篇所震慑，生怕自己无法跟上作者的思绪。然而，一旦跨过最初的门槛，那种被故事牢牢吸住的感觉便难以自拔。这本书最吸引我的地方在于其对“教育”与“教养”的深度剖析。它探讨的不仅仅是知识的传授，更是身份的构建、阶层的固化，以及一个人如何试图通过后天的努力去重塑自己被原生环境打下的烙印。这种“向上流动”的渴望，是驱动许多角色行为的核心动力，但作者非常冷静地展示了这种渴望可能带来的异化和痛苦。书中某些段落的心理描写，达到了近乎“手术刀式”的精准，将人物在面对诱惑、背叛和自我认知颠覆时的那种内心撕裂感刻画得淋漓尽致。阅读过程中，我常常需要停下来，对照着书页上的文字，反思自己生命中那些关键的转折点，思考究竟是环境塑造了我们，还是我们有能力超越环境。这已经超越了一般的消遣读物，更像是一部关于人类精神成长的史诗。
评分这部作品读罢，我仿佛经历了一场漫长而又扣人心弦的旅程。作者的笔触极其细腻，对于人物内心世界的刻画入木三分，让人在阅读过程中能真切地感受到角色的挣扎、希望与幻灭。故事的开篇便将读者迅速拽入一个充满神秘与不确定性的世界，那种环境的压抑感和人物命运的浮沉感交织在一起，形成了一种强烈的戏剧张力。尤其对那些社会底层人物的描摹，没有丝毫的怜悯或美化，而是用一种近乎冷峻的现实主义态度，展现了他们在特定历史背景下的生存困境与道德抉择。我尤其欣赏作者在处理复杂人际关系时的那种游刃有余，几条看似平行的故事线，最终以一种意想不到却又合乎情理的方式交汇融合，展示了命运无常的宏大主题。那种对时代洪流下个体命运的深刻反思，让我合上书本后仍久久不能平静，反复咀嚼其中的哲理意味。整个阅读体验是沉浸式的，仿佛我就是那个身处泥泞，渴望向上攀爬的观察者，见证着一切的发生与转折，其文字的力量着实强大，直击人心深处那些最隐秘的角落。
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